Cushion > Arts > Artists > G > Corrado Giaquinto
Cushion : The Archangel Michael defeating Lucifer, 1750. Creator: Giaquinto, Corrado (1703-1766)
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The Archangel Michael defeating Lucifer, 1750. Creator: Giaquinto, Corrado (1703-1766)
The Archangel Michael defeating Lucifer, 1750. Found in the collection of the Musei Vaticani in Viale Vaticano, Rome
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Media ID 36230527
© Fine Art Images/Heritage Images
Archangel Archangel Michael Day Of Judgment Day Of The Lord Demons Devil Falled Angel Final Judgment Giaquinto Judgment Day Last Judgement Last Judgment Lucifer Michael Michael The Archangel Musei Vaticani In Viale Vaticano Patron Saint Michael Saints Satan School Of Neaple Victory Over The Devil Old Testament
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This stunning oil on canvas painting, titled "The Archangel Michael Defeating Lucifer," was created by the renowned Italian artist Corrado Giaquinto in 1750. The work is currently housed in the prestigious Musei Vaticani in Viale Vaticano, Rome. The painting depicts a pivotal moment in both the Old and New Testaments of the Christian Bible. In the Old Testament, Lucifer, once an angel of light, rebelled against God and was cast out of heaven, becoming the devil. In the New Testament, Michael, the archangel, leads the forces of good in the final judgment, vanquishing the forces of evil, including Lucifer. Giaquinto masterfully captures the intensity and drama of this cosmic battle. Michael, clad in armor and wielding a sword, stands triumphantly over the fallen Lucifer, who is depicted as a grotesque figure, writhing in defeat. Surrounding them are other demons and fallen angels, also in various states of defeat and despair. The painting is a prime example of the Rococo style, which emphasized light, grace, and movement. Giaquinto's use of color and brushwork creates a sense of dynamism and energy, drawing the viewer into the scene. The patron of this work is unknown, but it is clear that it was intended to be a powerful statement of the triumph of good over evil. The painting continues to captivate viewers today, serving as a reminder of the enduring power of faith and the importance of the struggle between good and evil.
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