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Cushion : An angel of the Lord appeared to Manoahs wife... c1636-1680. Artist: Ferdinand Bol
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An angel of the Lord appeared to Manoahs wife... c1636-1680. Artist: Ferdinand Bol
An angel of the Lord appeared to Manoahs wife and told her that she would give birth to a son, c1636-1680
Heritage Images features heritage image collections
Media ID 14880316
© Art Media / Heritage-Images
Appearance Appearing Barren Ferdinand Ferdinand Bol Ferdinand Boll Ferdinandus Bol Francis Ball Francis Pool News Print Collector5 Wife Winged Figure Manoah
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print, titled "An angel of the Lord appeared to Manoah's wife" transports us back to the 17th century Holland. Created by Ferdinand Bol, a renowned Dutch artist, this piece beautifully captures a significant biblical moment. In the image, we see a female figure kneeling in the countryside outside her home. She is portrayed as an ordinary woman from that era, dressed modestly and with a sense of humility. The barrenness of her surroundings reflects her longing for something more. Suddenly, an angelic winged figure appears before her. This divine messenger brings news that she will give birth to a son - a miraculous event promised by God himself. The expression on her face reveals astonishment and hope as she receives this life-altering revelation. Bol masterfully uses pen and ink to create intricate details in both the landscape and figures. His skillful portrayal of light adds depth and dimension to this religious scene. This artwork not only showcases Bol's artistic prowess but also serves as a reminder of faith and miracles in Christianity during the seventeenth century. It invites viewers into contemplation about their own beliefs while appreciating the beauty found within religious art media. As we admire this print today, it stands as evidence that art has no expiration date; its power transcends time, allowing us to connect with historical moments like these centuries later.
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