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William Dyce Cushion Collection

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28 Cushions

Background imageWilliam Dyce Cushion Collection: The Meeting of Jacob and Rachel, 1853 (oil on canvas) (see 141378)

The Meeting of Jacob and Rachel, 1853 (oil on canvas) (see 141378)
XKH141377 The Meeting of Jacob and Rachel, 1853 (oil on canvas) (see 141378) by Dyce, William (1806-64); 58x58 cm; Hamburger Kunsthalle, Hamburg, Germany; Scottish, out of copyright

Background imageWilliam Dyce Cushion Collection: Bill of Rights, 1942 (oil on canvas)

Bill of Rights, 1942 (oil on canvas)
CH89285 Bill of Rights, 1942 (oil on canvas) by Christy, Howard Chandler (1873-1952); 152.4x101 cm; Private Collection; (add.info)

Background imageWilliam Dyce Cushion Collection: Chief Powhatan welcoming John Smith, 1607 pub 1887 (engraving)

Chief Powhatan welcoming John Smith, 1607 pub 1887 (engraving)
3785947 Chief Powhatan welcoming John Smith, 1607 pub 1887 (engraving); (add.info.: Chief Powhatan, otherwise known as Wahunsenacawh or Wahunsunacock, was the leader of the Powhatan)

Background imageWilliam Dyce Cushion Collection: Medieval table service - a 15th century lady being served dinner by her servants

Medieval table service - a 15th century lady being served dinner by her servants, 19th century (print)
3794134 Medieval table service - a 15th century lady being served dinner by her servants, 19th century (print); (add.info)

Background imageWilliam Dyce Cushion Collection: Welsh Landscape with Two Women Knitting, 1860 (oil on board)

Welsh Landscape with Two Women Knitting, 1860 (oil on board)
NGW390196 Welsh Landscape with Two Women Knitting, 1860 (oil on board) by Dyce, William (1806-64); National Museum Wales; National Museums & Galleries of Wales

Background imageWilliam Dyce Cushion Collection: La Montagne, c. 1794 (w / c pen & ink)

La Montagne, c. 1794 (w / c pen & ink)
SC14504 La Montagne, c.1794 (w/c pen & ink) by Loutherbourg, Philip James (Jacques) de (1740-1812); Victoria & Albert Museum, London, UK; French, out of copyright

Background imageWilliam Dyce Cushion Collection: Goat Fell, Arran

Goat Fell, Arran
SC14489 Goat Fell, Arran by Dyce, William (1806-64); Victoria & Albert Museum, London, UK; Scottish, out of copyright

Background imageWilliam Dyce Cushion Collection: Portrait of Elizabeth Siddal, seated (graphite on paper)

Portrait of Elizabeth Siddal, seated (graphite on paper)
1217550 Portrait of Elizabeth Siddal, seated (graphite on paper) by Rossetti, Dante Gabriel Charles (1828-82); 13x9.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageWilliam Dyce Cushion Collection: Study of a Distant Range of Mountains (Ben Nuis above Glen Rosa, Isle of Arran)

Study of a Distant Range of Mountains (Ben Nuis above Glen Rosa, Isle of Arran)
1217539 Study of a Distant Range of Mountains (Ben Nuis above Glen Rosa, Isle of Arran), 1860 (w/c on paper) by Dyce, William (1806-64); 22.8x35.1 cm; Ashmolean Museum, University of Oxford

Background imageWilliam Dyce Cushion Collection: Path Through the Wood, 1902 (w / c on paper)

Path Through the Wood, 1902 (w / c on paper)
Ma312087 Path Through the Wood, 1902 (w/c on paper) by Pilsbury, Wilmot, R.W.S. (1840-1908); 27x38.1 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageWilliam Dyce Cushion Collection: Nude (oil on canvas)

Nude (oil on canvas)
Ma312063 Nude (oil on canvas) by Dyce, William (1806-64); 46.4x29.2 cm; Private Collection; Photo eThe Ms Gallery, London; Scottish, out of copyright

Background imageWilliam Dyce Cushion Collection: The Angry Husband (pen & ink with washes)

The Angry Husband (pen & ink with washes)
MAK79763 The Angry Husband (pen & ink with washes) by Rowlandson, Thomas (1756-1827); 11x9 cm; The Makins Collection; English, out of copyright

Background imageWilliam Dyce Cushion Collection: The Entrance to the Manse

The Entrance to the Manse
MAK79762 The Entrance to the Manse by Dyce, William (1806-64); 29.7x40 cm; The Makins Collection; Scottish, out of copyright

Background imageWilliam Dyce Cushion Collection: The Battle of Jena, 14 October 1806, engraved by Edme Bovinet (1767-1832) (aquatint)

The Battle of Jena, 14 October 1806, engraved by Edme Bovinet (1767-1832) (aquatint)
STC101321 The Battle of Jena, 14 October 1806, engraved by Edme Bovinet (1767-1832) (aquatint) by Swebach, Jacques Francois Joseph (1769-1823) (after)

Background imageWilliam Dyce Cushion Collection: The Woman of Samaria, 1860 (oil on panel)

The Woman of Samaria, 1860 (oil on panel)
BIR101297 The Woman of Samaria, 1860 (oil on panel) by Dyce, William (1806-64); 34.2x48.4 cm; Birmingham Museums and Art Gallery; Scottish, out of copyright

Background imageWilliam Dyce Cushion Collection: Seated Harlequin, c. 1920 (oil on canvas)

Seated Harlequin, c. 1920 (oil on canvas)
488221 Seated Harlequin, c.1920 (oil on canvas) by Gris, Juan (1887-1927); 91.44 x 74.93 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Gift of Mr. and Mrs

Background imageWilliam Dyce Cushion Collection: Eliezer of Damascus, 1860 (oil on canvas)

Eliezer of Damascus, 1860 (oil on canvas)
488212 Eliezer of Damascus, 1860 (oil on canvas) by Dyce, William (1806-64); 61.28 x 50.8 cm; Minneapolis Institute of Arts, MN

Background imageWilliam Dyce Cushion Collection: On the Road to the Temple of Ceres: A Spring Festival, 1879 (oil on canvas)

On the Road to the Temple of Ceres: A Spring Festival, 1879 (oil on canvas)
FC12307 On the Road to the Temple of Ceres: A Spring Festival, 1879 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 89x53.1 cm; The FORBES Magazine Collection

Background imageWilliam Dyce Cushion Collection: Neptune Resigning to Britannia the Empire of the Sea, 1847 (oil on paper on board)

Neptune Resigning to Britannia the Empire of the Sea, 1847 (oil on paper on board)
FC12259 Neptune Resigning to Britannia the Empire of the Sea, 1847 (oil on paper on board) by Dyce, William (1806-64); 32x49 cm; FORBES Magazine Collection, New York

Background imageWilliam Dyce Cushion Collection: The Meeting of Jacob and Rachel, 1853 (oil on canvas) (see 141377)

The Meeting of Jacob and Rachel, 1853 (oil on canvas) (see 141377)
XKH141378 The Meeting of Jacob and Rachel, 1853 (oil on canvas) (see 141377) by Dyce, William (1806-64); 58x58 cm; Hamburger Kunsthalle, Hamburg, Germany; Scottish, out of copyright

Background imageWilliam Dyce Cushion Collection: Charles I (1600-49) Demanding the Five Members in the House of Commons in 1642

Charles I (1600-49) Demanding the Five Members in the House of Commons in 1642
BBC188993 Charles I (1600-49) Demanding the Five Members in the House of Commons in 1642 (oil on canvas) by Copley, John Singleton (1738-1815); Boston Public Library, Boston, Massachusetts

Background imageWilliam Dyce Cushion Collection: Man of Sorrows (oil on canvas)

Man of Sorrows (oil on canvas)
BBC188967 Man of Sorrows (oil on canvas) by Dyce, William (1806-64); Private Collection; Scottish, out of copyright

Background imageWilliam Dyce Cushion Collection: View of the Footpath to Lenton across Nottingham Park, c. 1795 (oil on canvas)

View of the Footpath to Lenton across Nottingham Park, c. 1795 (oil on canvas)
3744031 View of the Footpath to Lenton across Nottingham Park, c.1795 (oil on canvas) by British School, (18th Century); 30.5x35.6 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageWilliam Dyce Cushion Collection: Virgin and Child (oil on plaster )

Virgin and Child (oil on plaster )
3744018 Virgin and Child (oil on plaster ) by Dyce, William (1806-64); 78.7x60.3 cm; Nottingham City Museums and Galleries (Nottingham Castle); eNottingham City Museums & Galleries; Scottish

Background imageWilliam Dyce Cushion Collection: Portrait of Emperor Alexander I (1777-1825)

Portrait of Emperor Alexander I (1777-1825)
FIA5393261 Portrait of Emperor Alexander I (1777-1825) by Unknown Artist, (19th century); 58, 3x44, 5 cm; Deineka Picture Gallery, Kursk

Background imageWilliam Dyce Cushion Collection: Piety: The Knights of the Round Table about to Depart in Quest of the Holy Grail

Piety: The Knights of the Round Table about to Depart in Quest of the Holy Grail
FIA5393251 Piety: The Knights of the Round Table about to Depart in Quest of the Holy Grail, 1849 (w/c & bodycolour over pencil on buff paper) by Dyce

Background imageWilliam Dyce Cushion Collection: Culver Cliff, Isle of Wight (w / c, pen & ink, bodycolour and pencil on paper)

Culver Cliff, Isle of Wight (w / c, pen & ink, bodycolour and pencil on paper)
XYC235940 Culver Cliff, Isle of Wight (w/c, pen & ink, bodycolour and pencil on paper) by Dyce, William (1806-64); 37.1x49.2 cm; Yale Center for British Art, Paul Mellon Collection, USA; Scottish

Background imageWilliam Dyce Cushion Collection: Joash Shooting the Arrow of Deliverance, 1844 (oil on canvas)

Joash Shooting the Arrow of Deliverance, 1844 (oil on canvas)
XKH141379 Joash Shooting the Arrow of Deliverance, 1844 (oil on canvas) by Dyce, William (1806-64); 76x109 cm; Hamburger Kunsthalle, Hamburg, Germany; (add.info.: The Lords arrow of victory)


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