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Cushion : Elizabethan garden from The profitable arte of gardening, 1568 (woodcut)
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Elizabethan garden from The profitable arte of gardening, 1568 (woodcut)
XJF2906516 Elizabethan garden from The profitable arte of gardening, 1568 (woodcut) by Hill, Thomas (16th century); Private Collection; (add.info.: The profitable arte of gardening was an early popular book about gardening, written by Thomas Hill who also used the pseudonym Didymus Mountain.); English, out of copyright
Media ID 12812081
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Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This woodcut print titled "Elizabethan garden from The profitable arte of gardening, 1568" takes us back in time to the enchanting world of Elizabethan England. Created by Thomas Hill, a prominent figure in the 16th century gardening community who also went by the name Didymus Mountain, this image offers a glimpse into the beauty and intricacy of gardens during that era. The scene depicted showcases an idyllic garden filled with vibrant flowers, neatly trimmed hedges, and carefully arranged pathways. Each element is meticulously designed to create a harmonious balance between nature and human intervention. It is evident that great care was taken in crafting this serene oasis. As we study this woodcut print further, we can appreciate not only its aesthetic appeal but also its historical significance. "The profitable arte of gardening" was one of the earliest popular books on gardening, serving as a guide for aspiring gardeners during a time when such knowledge was highly valued. Through this image, we are transported to a different era where gardens were not merely spaces for cultivation but places of solace and inspiration. This print serves as a reminder of our enduring fascination with nature's beauty and our desire to shape it according to our own vision.
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