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Cushion : Apollo and Daphne, c. 1845 (oil on canvas)
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Apollo and Daphne, c. 1845 (oil on canvas)
XIR216900 Apollo and Daphne, c.1845 (oil on canvas) by Chasseriau, Theodore (1819-56); 53x35.5 cm; Louvre, Paris, France; (add.info.: changed into a laurel tree to escape; ); French, out of copyright
Media ID 12711873
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Apollo Apollon Changing Lyre Metamorphosis Nymph Sorrow
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases Theodore Chasseriau's masterpiece, "Apollo and Daphne" dating back to 1845. Painted with oil on canvas, this artwork measures 53x35.5 cm and is currently housed in the prestigious Louvre Museum in Paris, France. The painting depicts a poignant moment from Greek mythology when Apollo, the god of music and poetry, pursues Daphne, a nymph who wishes to remain free. As their story unfolds, we witness Daphne's desperate attempt to escape Apollo's advances by transforming herself into a laurel tree. Chasseriau skillfully captures the intense emotions of both characters through his brushstrokes. The male figure exudes longing and desire while reaching out towards the fleeing female form. Meanwhile, Daphne's face reflects her sadness and sorrow as she undergoes her metamorphosis. Intriguingly intertwined within this scene are symbols such as Apollo's lyre representing his artistic prowess and Daphne's transformation symbolizing her ultimate liberation from unwanted love. This remarkable artwork invites viewers to contemplate themes of love, pursuit, sacrifice, and personal freedom. Its timeless beauty continues to captivate audiences today just as it did over a century ago when it was created.
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