Cushion : St. Anthony Abbot Holding the Book of the Antonites, 1371 (oil on panel)

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St. Anthony Abbot Holding the Book of the Antonites, 1371 (oil on panel)

XAL251085 St. Anthony Abbot Holding the Book of the Antonites, 1371 (oil on panel) by Tommaso, Niccolo di (fl.1343-1405); Museo e Gallerie Nazionale di Capodimonte, Naples, Italy; (add.info.: Saint Antoine abbe tenant le live de la regle des Antonites; centre panel from a triptych; Father of Monasticism; ); Italian, out of copyright

Media ID 12771211

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Blessing

Medium 18" Cushion (46x46cm)

18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.

EDITORS COMMENTS
This print showcases the exquisite artwork titled "St. Anthony Abbot Holding the Book of the Antonites" created in 1371 by Tommaso, Niccolo di. The painting is displayed at Museo e Gallerie Nazionale di Capodimonte in Naples, Italy. In this oil on panel masterpiece, we see St. Anthony Abbot depicted as a central figure holding the sacred book of the Antonites. Dressed in traditional monastic robes and adorned with a halo, he exudes an aura of wisdom and spirituality. His serene expression and gentle gaze suggest his deep connection with divinity. The artist skillfully captures every intricate detail, from the delicate brushstrokes that bring out St. Anthony's flowing garments to the meticulous rendering of his facial features and hands. The vibrant colors used create a harmonious atmosphere that transports viewers into another era. Surrounding St. Anthony are ethereal angels who seem to be blessing him, adding an element of celestial beauty to this gothic-inspired composition. Their presence further emphasizes his revered status as both a saint and father of Monasticism. This particular image represents only one panel from a larger triptych, yet it stands alone as an awe-inspiring work of art that speaks volumes about faith and devotion during medieval times. As we admire this remarkable piece through our photo print, we can appreciate its historical significance while marveling at its artistic brilliance—a testament to Tommaso's talent and dedication to capturing religious themes with

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