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The Refectory at Walsingham Priory (w / c on paper)
LMG108870 The Refectory at Walsingham Priory (w/c on paper) by Cotman, John Sell (1782-1842); 40.9x29.3 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English, out of copyright
Media ID 22343664
© Leeds Museums and Galleries / Bridgeman Images
Ecclesiastical Architecture Monastery
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Refectory at Walsingham Priory (w/c on paper) by John Sell Cotman captures the haunting beauty of this ancient monastery. The painting, measuring 40.9x29.3 cm, showcases Cotman's mastery in watercolor technique and his ability to evoke a sense of timelessness. The Refectory itself is depicted as a majestic ruin, its Gothic architecture standing tall against the test of time. The crumbling walls and broken windows hint at the passage of centuries, while nature slowly reclaims its space with overgrown ivy creeping up the stone facade. Cotman's attention to detail brings out the intricate features of ecclesiastical architecture, showcasing arches and vaulted ceilings that once echoed with prayers and chants. Light filters through the remaining stained glass windows, casting ethereal hues upon the worn floor tiles. This painting transports us back in time to an era when monks gathered here for communal meals, fostering a sense of community within these hallowed walls. It invites contemplation on how history shapes our present and reminds us of our connection to those who came before us. Displayed at Leeds Museums and Galleries (Leeds Art Gallery), this artwork from Bridgeman Images serves as a testament to Cotman's skill in capturing both physical decay and spiritual grandeur.
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