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Cushion : Carclase Tin Mine in Cornwall, c. 1810 (pencil with wash on paper)
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Carclase Tin Mine in Cornwall, c. 1810 (pencil with wash on paper)
7389720 Carclase Tin Mine in Cornwall, c.1810 (pencil with wash on paper) by Farington, Joseph (1747-1821); 21x37 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire, UK; (add.info.: Arist: Joseph Farington (1747-1821)
View of tin mine with waterwheel in middle distance, various comments on colour and materials written in pencil on image; preparatory sketch); © Elton Collection, Ironbridge Gorge Museum Trust
Media ID 32013024
© Elton Collection, Ironbridge Gorge Museum Trust / Bridgeman Images
Cornwall Minings Mountain Scenery Moutains Unpopulated Victorian Style Without Anyone
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print depicts the Carclase Tin Mine in Cornwall, captured by the talented artist Joseph Farington around 1810. The scene showcases a picturesque view of the mine, with a prominent waterwheel standing tall in the middle distance. Farington's attention to detail is evident as he skillfully uses pencil with wash on paper to bring this mining landscape to life. The image is accompanied by various comments written in pencil on the artwork, providing insight into Farington's artistic process and perhaps serving as preparatory sketches for future works. This adds an intriguing layer of depth and authenticity to the piece. The Carclase Tin Mine print is part of the Elton Collection housed at Ironbridge Gorge Museum Trust in Telford, Shropshire, UK. It serves as a testament to Britain's rich industrial heritage during the 19th century. The composition captures not only the rugged beauty of Cornwall's mountainous scenery but also highlights its historical significance as a hub for mining activities. The absence of people in this unpopulated landscape allows viewers to appreciate both nature's grandeur and man-made structures harmoniously coexisting. Farington's work exemplifies his mastery of capturing landscapes through detailed drawings that evoke a sense of awe and admiration. This Victorian-style artwork stands as a testament to British artistry and serves as an important reminder of our shared history and cultural heritage.
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