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Cushion : The Fall of Man, c. 1514 (woodcut)
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The Fall of Man, c. 1514 (woodcut)
XJF472209 The Fall of Man, c.1514 (woodcut) by Baldung Grien, Hans (1484/5-1545); Private Collection; German, out of copyright
Media ID 12809619
© www.bridgemanart.com
1514 Adam Apple Demon Devil Eden Fall Forbidden Northern Paradise Satan Temptation Tempted Tempting Serpent
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Fall of Man, c. 1514
EDITORS COMMENTS
is a captivating woodcut by the renowned German artist Baldung Grien. This intriguing print transports us back to the biblical story of Adam and Eve in the Garden of Eden, capturing the pivotal moment when temptation overcame their innocence. The composition depicts a lush paradise with an imposing tree at its center, laden with forbidden fruit. Adam and Eve stand on either side, their bodies intertwined as they reach for the tantalizing apple offered by a cunning serpent. The devil lurks nearby, his demonic presence accentuating the sinister nature of this scene. Grien's masterful use of line and shading creates a sense of depth and drama within this Northern Renaissance artwork. The intricate details draw our gaze towards each element: from Adam's contemplative expression to Eve's hesitant yet curious demeanor. This woodcut serves as a visual metaphor for humanity's eternal struggle between desire and morality. It reminds us that knowledge can be both enlightening and destructive, as it was through succumbing to temptation that Adam and Eve were banished from paradise forever. As we contemplate "The Fall of Man" we are reminded not only of our own vulnerabilities but also our capacity for growth and redemption. Grien's timeless portrayal invites us to reflect upon our own choices in life while appreciating his artistic prowess during this significant period in art history.
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