Cushion > Fine Art Finder > Artists > Giovanni Battista Moroni
Cushion : Portrait of a Young Woman, 1560-78 (oil on canvas)
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Portrait of a Young Woman, 1560-78 (oil on canvas)
XOS1109233 Portrait of a Young Woman, 1560-78 (oil on canvas) by Moroni, Giovanni Battista (c.1525-78); 73.5x65 cm; Rijksmuseum, Amsterdam, The Netherlands; Italian, out of copyright
Media ID 12693183
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Earring Lombard School Pearl Pearls Ribbon Rich Ruff Collar Wealthy Jewels
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This portrait, titled "Portrait of a Young Woman" painted by Giovanni Battista Moroni in the late 16th century, is a stunning example of Italian Renaissance art. The young woman depicted exudes elegance and sophistication, capturing the essence of high society during that era. Dressed in fashionable attire, she wears an exquisite ruff collar adorned with delicate lace and jewels. Her ensemble is completed with a ribbon tied around her neck and a pearl necklace cascading down her chest. A pair of elegant earrings dangle from her ears, accentuating her beauty. The artist pays meticulous attention to detail, highlighting every feature with precision. The subject's eyes gaze directly at the viewer, conveying confidence and intelligence. Holding a fan delicately in one hand, she adds an air of mystery to the composition. Moroni's skillful use of light and shadow creates depth and dimension within the painting. The rich colors bring life to the canvas as they reflect off the woman's flawless complexion. Displayed at Rijksmuseum in Amsterdam, this masterpiece offers us a glimpse into aristocratic life during the Lombard school period in Italy. It serves as a reminder of the opulence enjoyed by wealthy individuals who commissioned such portraits as symbols of their social status. As we admire this artwork today, we are transported back in time to witness not only Moroni's artistic brilliance but also gain insight into an era defined by wealth and refinement.
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