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Cushion : The Line of Beauty, cartoon in Punch, published December 9 1879 (litho)
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The Line of Beauty, cartoon in Punch, published December 9 1879 (litho)
XJF444368 The Line of Beauty, cartoon in Punch, published December 9 1879 (litho) by Du Maurier, George (1834-96); Private Collection; (add.info.: A cartoon lampooning the new fashion for riding bicycles; The penny farthing bicycle was introduced to Britain from France in the 1860s and became a popular craze amongst the upper classes of Victorian Britain; ); English, out of copyright
Media ID 12882930
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Aesthete Aesthetic Athletic Bicycle Calves Cycle Cycling Cyclist Dandy Danger Dangers Legs Punch
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
The Line of Beauty
EDITORS COMMENTS
is a captivating lithograph that takes us back to the Victorian era, where fashion and trends were constantly evolving. This cartoon, published in Punch on December 9,1879, humorously satirizes the newfound obsession with bicycles among the upper classes of British society. Created by George Du Maurier, this artwork brilliantly captures the essence of this craze while poking fun at its enthusiasts. The penny farthing bicycle, introduced from France in the 1860s, became a symbol of status and athleticism for those who could afford it. The cartoon cleverly highlights both the aesthetic appeal and physical dangers associated with cycling during that time. It playfully exaggerates certain features such as disproportionately muscular calves caused by pedaling these large-wheeled contraptions. Through humor and satire, Du Maurier reminds us that even fashionable pursuits can have their drawbacks. "The Line of Beauty" not only showcases Du Maurier's artistic talent but also provides insight into Victorian society's fascination with new technologies and trends. This print serves as a delightful reminder that even in an era known for its strict social norms and conventions; people found ways to express themselves through unconventional means like cycling. This lithograph invites viewers to reflect on how societal obsessions can shape our perceptions of beauty while reminding us not to take ourselves too seriously.
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