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Cushion : Amada, 6: 50am, 12 February 1867, (pen and brown ink with wc over graphite)
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Amada, 6: 50am, 12 February 1867, (pen and brown ink with wc over graphite)
XYC306198 Amada, 6:50am, 12 February 1867, (pen and brown ink with wc over graphite) by Lear, Edward (1812-88); 9x17.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: 419 reference given); English, out of copyright
Media ID 12841070
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Bleak Dawn Desert Egyptian Landscape Lake Nasser Nubia Nubian Sunrise
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Amada, 6:50am, 12 February 1867
EDITORS COMMENTS
is a captivating snapshot of an Egyptian landscape captured by the talented artist Edward Lear. In this small yet intricate print, Lear skillfully combines pen and brown ink with watercolor over graphite to bring life to his depiction. The scene unfolds as the first rays of dawn pierce through the bleakness, casting a warm glow upon the tranquil lake. The ancient temple stands proudly on the shore, its architectural beauty juxtaposed against the surrounding ruins. This Nubian oasis, nestled along Lake Nasser's shores, exudes an air of mystery and history. Lear's attention to detail is evident in his meticulous rendering of stone masonry and delicate brushstrokes that capture the essence of this desert landscape. The composition invites viewers to imagine themselves standing at this very spot during that early morning hour - witnessing nature's spectacle unfold before their eyes. This artwork not only showcases Lear's artistic prowess but also serves as a visual time capsule transporting us back to Egypt in 1867. As we gaze upon "Amada" we are reminded of our fascination with ancient civilizations and their enduring legacy. Displayed within Yale Center for British Art's Paul Mellon Collection in America, this piece continues to captivate audiences even today. Its timeless appeal transcends borders and cultures - reminding us that art has no boundaries when it comes to evoking emotions and sparking our imagination.
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