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Cushion : Cartoon of Imam Aga Khan III. Cover of the satirical newspaper "le charivari"of 14 December 1929. Illustration by Bib (Georges Breitel dit) (1888-1966)
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Cartoon of Imam Aga Khan III. Cover of the satirical newspaper "le charivari"of 14 December 1929. Illustration by Bib (Georges Breitel dit) (1888-1966)
LSE4087284 Cartoon of Imam Aga Khan III. Cover of the satirical newspaper " le charivari" of 14 December 1929. Illustration by Bib (Georges Breitel dit) (1888-1966). by Bib (Georges Breitel) (1856-1946); Private Collection; (add.info.: Cartoon of Imam Aga Khan III. Cover of the satirical newspaper " le charivari" of 14 December 1929. Illustration by Bib (Georges Breitel dit) (1888-1966).); Photo © Leonard de Selva
Media ID 27988260
© Leonard de Selva / Bridgeman Images
Islamic Religion Israel Israeli Muslim Religion
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Asia
> Israel
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> Bib (1856-1946)
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EDITORS COMMENTS
The print captures a cartoon of Imam Aga Khan III, featured on the cover of the satirical newspaper "le charivari" on 14 December 1929. The illustration, created by Bib (Georges Breitel dit), showcases his artistic talent and wit. Imam Aga Khan III, a prominent figure in the Muslim community, is depicted with humor and satire. The cartoon reflects the political climate of the early twentieth century, highlighting the complexities of human relations and religious dynamics. It offers a caricatured portrayal that invites viewers to reflect on issues surrounding religion and politics. Imam Aga Khan III's presence in this artwork signifies his influence as a leader within the Muslim religion. The inclusion of Israel suggests broader geopolitical implications relevant to Middle Eastern affairs during that time. Leonard de Selva's photograph beautifully captures this historical piece from his private collection. Through this image, we are transported back to an era where political cartoons were powerful tools for social commentary. This print serves as a reminder of how art can transcend time and provide valuable insights into our past. It sparks curiosity about historical events while also shedding light on cultural nuances and societal attitudes towards religion and politics in early twentieth-century Europe.
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