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Cushion : Christ at the foot of the cross, mourned by the Virgin and angels (oil on canvas)
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Christ at the foot of the cross, mourned by the Virgin and angels (oil on canvas)
XIR387341 Christ at the foot of the cross, mourned by the Virgin and angels (oil on canvas) by Flemalle, Bertholet (1614-75); 152x140 cm; Musee des Beaux-Arts, Orleans, France; (add.info.: Le Christ au pied de la croix, pleure par la Vierge et les anges; formerly attributed to Gerard Douffet (1594-1661/65); after restoration; ); Belgian, out of copyright
Media ID 12871594
© www.bridgemanimages.com
Crown Of Thorns Crying Drapery Lamentation Mourners Cherubs Dying Mourning
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This powerful and emotive oil painting, titled "Christ at the foot of the cross, mourned by the Virgin and angels" captures a deeply sorrowful moment in Christian history. Painted by Flemalle artist Bertholet (1614-75), this masterpiece measures 152x140 cm and is currently housed in the Musee des Beaux-Arts in Orleans, France. The scene depicts Jesus Christ on the cross, surrounded by his grieving mother Mary and a group of mourning angels. The anguish on their faces is palpable as they lament over the suffering and imminent death of Jesus. The composition is filled with raw emotion; tears stream down Mary's face while cherubs hover above, their expressions mirroring her grief. The attention to detail in this artwork is remarkable. Every fold of fabric, every tear shed, speaks volumes about the pain being experienced. The crown of thorns adorning Jesus' head serves as a poignant reminder of his sacrifice for humanity. Formerly attributed to Gerard Douffet (1594-1661/65), this painting underwent restoration which has brought out its true beauty once again. It stands as a testament to both artistic skill and religious devotion. As we gaze upon this image, we are reminded not only of Christ's suffering but also of the universal human experience of loss and mourning. This painting invites us to reflect on our own emotions surrounding death and reminds us that even in our darkest moments, there is hope for redemption.
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