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Cushion : Queen Henrietta Maria with Sir Jeffrey Hudson, 1633 (oil on canvas)
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Queen Henrietta Maria with Sir Jeffrey Hudson, 1633 (oil on canvas)
XOS746463 Queen Henrietta Maria with Sir Jeffrey Hudson, 1633 (oil on canvas) by Dyck, Anthony van (1599-1641); 219.1x134.8 cm; National Gallery of Art, Washington DC, USA; (add.info.: Queen Henrietta Maria (1609-69) consort of England and wife of King Charles I, with Sir Jeffery Hudson (1619 a c.1682) court dwarf.); Flemish, out of copyright
Media ID 12935189
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Dwarf Full Henrietta Henriette Hudson Jeffrey Length Maria Marie Monkey Silk
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This oil on canvas print, titled "Queen Henrietta Maria with Sir Jeffrey Hudson, 1633" by Anthony van Dyck, showcases the elegance and grandeur of the royal court in the 17th century. The painting depicts Queen Henrietta Maria, consort of England and wife of King Charles I, alongside her intriguing companion Sir Jeffrey Hudson. The queen is portrayed wearing a resplendent blue silk dress that accentuates her regal stature. Her poise and grace are evident as she gazes confidently into the distance. Standing beside her is Sir Jeffrey Hudson, a court dwarf known for his small stature but larger-than-life personality. The composition exudes an air of sophistication and opulence with its attention to detail and rich colors. A mischievous monkey perches on a nearby table, adding an element of playfulness to the scene. In contrast to the queen's majestic presence, a young boy can be seen in the background, perhaps symbolizing innocence or representing future generations. Van Dyck masterfully captures both the physical likeness and inner essence of these historical figures through his skillful brushwork. This portrait serves as a testament to their significance within society at that time. Displayed at the National Gallery of Art in Washington DC, this remarkable artwork invites viewers to step back in time and immerse themselves in the world of French royalty during this period. It offers a glimpse into an era marked by power dynamics, cultural exchange, and artistic excellence.
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