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Canvas Print : The Five Pilchards Inn, Porthallow, St Keverne, Cornwall. Around 1890s

The Five Pilchards Inn, Porthallow, St Keverne, Cornwall. Around 1890s



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Royal Cornwall Museum

Canvas Prints from Royal Cornwall Museum

The Five Pilchards Inn, Porthallow, St Keverne, Cornwall. Around 1890s

Signage on the inn states S.J. Southey licensed to let a horse & trap on hire, boats for pleasure or fishing purposes. Samuel Southey is seated in the trap. His wife, Mrs Agnes Southey is standing at the railings with their son, Joe Southey. Standing holding the donkey is Amelia Tremills (adopted daughter). Amelia married Joe Jewell and their son, also Joe Jewell, was living in Porthallow in 1982. The woman in white, standing by the front door, is unknown. Samuel John Govier, the photographer, was friendly with the Southey family. Photographer: Samuel John Govier

Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture

TRURI : KEVgv.8

Media ID 15115811

© RIC

Pony And Trap Public Houses


20"x16" (50x40cm) Canvas Print

"Step back in time with our exquisite Media Storehouse Canvas Print featuring an enchanting image from the Royal Cornwall Museum. This captivating photograph, circa 1890s, transports you to The Five Pilchards Inn at Porthallow, St Keverne, Cornwall. The signage proudly displays S.J. Southey, offering horse & trap hire, boats for pleasure or fishing purposes. Witness a bygone era as Samuel Southey sits serene in the trap. Our premium canvas prints bring the rich history and charm of this iconic inn right into your home, creating a unique and timeless piece of art."

Ready to hang Premium Gloss Canvas Print. Our archival quality canvas prints are made from Polyester and Cotton mix and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Farm > Donkeys > Related Images

> Animals > Farm > Horses > Related Images

> Animals > Fishes > P > Pilchard

> Arts > Artists > U > Unknown photographer Unknown

> Arts > Artists > W > John White

> Europe > United Kingdom > England > Cornwall > Porthallow

> Europe > United Kingdom > England > Cornwall > Related Images

> Europe > United Kingdom > England > Cornwall > St Agnes

> Europe > United Kingdom > England > Cornwall > St John

> Europe > United Kingdom > England > Cornwall > St Keverne

> Royal Cornwall Museum > Places > Porthallow


EDITORS COMMENTS
This print takes us back to the enchanting era of the 1890s in Porthallow, Cornwall. The focal point is The Five Pilchards Inn, a charming establishment that exudes warmth and character. Its signage proudly announces S. J. Southey as the licensed provider of horse and trap rentals, as well as boats for leisurely or fishing pursuits. In this snapshot frozen in time, we witness a delightful scene unfolding before our eyes. Seated confidently in the horse-drawn trap is Samuel Southey himself, while his wife Mrs Agnes Southey stands gracefully at the railings with their young son Joe by her side. A sense of familial bliss emanates from their expressions. Adding to this picturesque tableau is Amelia Tremills, an adopted daughter who lovingly holds onto a donkey nearby. Little did anyone know that she would later marry Joe Jewell, and their own son - also named Joe Jewell - would continue residing in Porthallow even decades later in 1982. The identity of the woman dressed elegantly in white remains shrouded in mystery; perhaps she was a passerby drawn to capture this momentous occasion outside The Five Pilchards Inn. Samuel John Govier's skilled lens perfectly captures not only the essence of this beloved inn but also showcases his close relationship with the Southey family through his intimate portrayal of them. This beautiful photograph serves as a testament to both personal connections and historical significance within Cornwall's rich tape

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