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Canvas Print : Kevin McClory, film producer, being restrained in bar room brawl with London film critic

Kevin McClory, film producer, being restrained in bar room brawl with London film critic



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Kevin McClory, film producer, being restrained in bar room brawl with London film critic

Kevin McClory, film producer, being restrained in bar room brawl with London film critic Leonard Mosley, who gave a very negative review of his film The Boy on the Bridge, Venice Film Festival, September 1959

Frank Charman
Sunday Mirror
Mirrorpix
London
Greater London
England

Media ID 21638085

© Mirrorpix

Angry Fighting


20"x16" (50x40cm) Canvas Print

Step into the vibrant world of Hollywood's past with our exclusive Media Storehouse Canvas Prints. This thrilling image captures the tension between film producer Kevin McClory and London film critic Leonard Mosley, as they engage in an unforgettable bar room brawl. Based on the legendary incident at the Venice Film Festival, where Mosley's scathing review of McClory's film "The Boy on the Bridge" led to this explosive confrontation. Each print is meticulously crafted with premium materials, bringing the drama and intensity of this historic moment to life in stunning detail. Add a touch of cinematic history to your home or office with this captivating and authentic piece from Memory Lane Prints.

Ready to hang Premium Gloss Canvas Print. Our archival quality canvas prints are made from Polyester and Cotton mix and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Film

> Europe > United Kingdom > England > London > Art > Entertainment

> Europe > United Kingdom > England > London > Art > Film

> Europe > United Kingdom > England > London > Events > London Film Festival

> Europe > United Kingdom > England > London > Events > Related Images

> Popular Themes > Film Poster

> Posters > Movie Posters > London Film Festival Posters

> Posters > Movie Posters > Related Images

> Memory Lane Prints > Mirror > 0400to0499 > 00402


EDITORS COMMENTS
In this print from Memory Lane Prints, we are transported back to the vibrant and tumultuous atmosphere of 1950s London. The image captures a moment of intense emotion as renowned film producer Kevin McClory finds himself in the midst of a bar room brawl with none other than Leonard Mosley, a prominent film critic known for his scathing reviews. The tension between these two figures is palpable, their expressions reflecting anger and frustration. It is revealed that Mosley had given an overwhelmingly negative review of McClory's latest creation, "The Boy on the Bridge" during its premiere at the Venice Film Festival in September 1959. This unfavorable critique seems to have ignited a fiery confrontation between them. As they grapple with each other amidst overturned chairs and shattered glass, it becomes evident that both men possess unwavering passion for their respective crafts within the entertainment industry. Their clash symbolizes not only personal vendettas but also represents larger conflicts between artists and critics - a timeless struggle where creative vision clashes with critical analysis. Frank Charman's expertly captured photograph freezes this explosive moment in time, allowing us to witness firsthand the raw intensity behind McClory's determination to defend his work against harsh criticism. It serves as a reminder that even within glamorous realms like filmmaking, emotions can run high when artistic integrity is challenged. This remarkable snapshot offers viewers an intriguing glimpse into an era defined by its fervent dedication to cinema and reminds us how deeply intertwined artistry and critique truly are.

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