Canvas Print : Barrack 19, Ruhleben
Canvas Prints from Mary Evans Picture Library
Barrack 19, Ruhleben
Barrack 19, Ruhleben. Cyril Oppler
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14151703
© David Cohen Fine Art/Mary Evans Picture Library
Barrack Cyril Ruhleben Topographical Oppler
21"x14" (53x35cm) Canvas Print
Bring history into your home with our exquisite Canvas Prints from Media Storehouse. This stunning piece, "Barrack 19, Ruhleben" by Cyril Oppler, depicts a poignant moment from the past, sourced from Mary Evans Prints Online. Rights Managed. Each print is meticulously crafted on high-quality canvas, ensuring vibrant colors and impressive detail. Add this captivating work of art to your collection and relive history in your very own space.
Ready to hang Premium Gloss Canvas Print. Our archival quality canvas prints are made from Polyester and Cotton mix and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 53.3cm x 35.6cm (21" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
Barrack 19, Ruhleben: A Topographical Drawing of Prisoner of War Quarters during World War I This evocative topographical drawing by Cyril Oppler depicts Barrack 19 at Ruhleben, a former racecourse in Germany that served as a prisoner of war camp during World War I. The camp, established in November 1914, housed over 10,000 British and French prisoners of war. Oppler's meticulous rendering captures the stark reality of life in the camp. The long, low-slung barracks are arranged in neat rows, each with its own distinctive number. The barbed-wire fence surrounding the compound is a stark reminder of the prisoners' confinement. The drawing also reveals the makeshift additions that the prisoners constructed to improve their living conditions, such as the chimneys and the communal ovens. The prisoners at Ruhleben were relatively fortunate compared to those held in other camps. They were allowed to form their own committees and manage their own affairs, and they were able to maintain a high level of morale through sports, music, and other cultural activities. However, conditions were still harsh, and the prisoners endured long hours of hard labor, inadequate food, and exposure to the elements. This drawing offers a unique glimpse into the daily life of a World War I prisoner of war camp. It is a poignant reminder of the human cost of conflict and the resilience of the human spirit in the face of adversity. Cyril Oppler was a British artist and cartographer who served as an officer in the Royal Engineers during World War I. He was captured in 1915 and spent time at Ruhleben before being transferred to another camp. Oppler used his artistic skills to document his experiences, creating a series of drawings and watercolors that offer a vivid and detailed record of life in the camps. This drawing, titled 'Barrack 19, Ruhleben,' is one of the most famous and evocative of his works.
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