Canvas Print > Arts > Artists > S > Pieter Schenk
Canvas Print : Confession of young woman, Pieter Schenk (I), Marcellus Laroon, 1670-1713
Canvas Prints from Liszt Collection
Confession of young woman, Pieter Schenk (I), Marcellus Laroon, 1670-1713
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12721293
© Quint Lox Limited
1670 1713 Adultery Confession Disguise Disguised Faith Habit Husband Monk Monks Picture Pieter Schenk I Text Young Confess Confesses Confessions Marcellus Laroon
20"x16" (50x40cm) Canvas Print
Breathe new life into your space with a captivating addition from the Media Storehouse Canvas Prints collection. This exquisite artwork, titled "Confession of young woman, Pieter Schenk (I), Marcellus Laroon, 1670-1713" by Quint Lox, is a stunning masterpiece from the Liszt Collection. The intricate details and rich colors of this 17th-century painting come alive on our premium canvas material, ensuring a stunning visual experience. Elevate your home décor with this timeless piece of art that adds depth and character to any room.
Ready to hang Premium Gloss Canvas Print. Our archival quality canvas prints are made from Polyester and Cotton mix and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this print titled "Confession of young woman" we are transported back to the 17th century, where faith and confessions held great significance. The image depicts a scene of secrecy and disguise as a young woman confesses her sins to a masked man disguised as a monk. The composition is filled with tension and intrigue, as the woman's face reveals both fear and relief in equal measure. Her eyes meet those of the disguised figure, who listens intently while maintaining an air of mystery behind his mask. The text accompanying the picture suggests that adultery may be at the heart of this confession. We can only imagine the weight on her conscience as she bares her soul to this enigmatic figure, seeking redemption for her transgressions. Pieter Schenk (I) and Marcellus Laroon skillfully capture this moment, evoking emotions through their masterful use of light and shadow. The attention to detail in depicting the habits worn by both characters adds authenticity to the scene. As viewers, we are left wondering about the circumstances surrounding this clandestine meeting. What will become of this young woman once she has confessed? Will her husband discover her secret? Only time will reveal whether absolution or further turmoil awaits our protagonist. Quint Lox's reproduction allows us to appreciate not only the artistic prowess but also delve into themes such as guilt, deception, and ultimately forgiveness within historical context.
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