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Canvas Print : Construction workman wrecking a church on Independence Avenue, Washington, D. C, 1942. Creator: Gordon Parks

Construction workman wrecking a church on Independence Avenue, Washington, D. C, 1942. Creator: Gordon Parks



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Construction workman wrecking a church on Independence Avenue, Washington, D. C, 1942. Creator: Gordon Parks

Washington, D.C. Construction workman wrecking a church on Independence Avenue

Heritage Images features heritage image collections

Media ID 25333114

© Heritage Art/Heritage Images

Building Site Construction Site Construction Worker Demolishing Demolition Gordon Alexander Buchanan Parks Gordon Parks Gordon Roger Alexander Buchanan Parks Parks Gordon Parks Gordon Alexander Buchanan Parks Gordon Roger Alexander Buchanan Pick Axe Pickaxe Safety Film Negatives Gmgpc Tools Working Man Workman Workmen Afro American Film Negative


20"x16" (50x40cm) Canvas Print

Experience the powerful narrative of history with our Media Storehouse Canvas Print of "Washington, D.C. Construction workman wrecking a church on Independence Avenue," 1942 by renowned photographer Gordon Parks. This iconic image captures the poignant moment of a construction worker demolishing a church during wartime, encapsulating the complexities of progress and loss. The high-quality canvas print brings the rich details and authentic textures of this historic photograph to life, making it a captivating addition to any home or office space. Relive history with this stunning piece of art.

Ready to hang Premium Gloss Canvas Print. Our archival quality canvas prints are made from Polyester and Cotton mix and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Fortior

> Arts > Artists > P > Gordon Parks

> Arts > Film

> North America > United States of America > Washington, District of Columbia

> North America > United States of America > Washington > Related Images

> Popular Themes > Film Poster

> Popular Themes > Religious Images

> Posters > Movie Posters > Related Images

> Religious Art > Religious Architecture > Churches and Cathedrals


EDITORS COMMENTS
This powerful photograph captures a moment of destruction and change in the heart of Washington, D. C. In 1942, Gordon Parks, an African American photographer, documented the demolition of a church on Independence Avenue. The image showcases a construction workman wielding a pickaxe against the backdrop of the crumbling church. Parks' composition highlights not only the physical act of demolishing but also symbolizes larger concepts such as progress, urban development, and shifting values. The contrast between the worker's determined stance and the dilapidated structure evokes mixed emotions - awe at his strength and skill but also sadness for what is being lost. The church itself represents more than just bricks and mortar; it embodies spirituality, community ties, and cultural heritage. Its destruction raises questions about how society prioritizes progress over preservation or whether there are alternative ways to adapt historical buildings to modern needs. As an African American artist working during a time when racial segregation was still prevalent in America, Parks may have seen this scene as metaphorical for broader social changes happening in his country. By capturing this poignant moment with his camera lens, he invites viewers to reflect on themes like faith versus progress or even gentrification. Gordon Parks' photograph serves as both documentation of a specific event in history and an artistic expression that prompts contemplation about our relationship with tradition amidst societal transformation.

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