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Canvas Print : Puppet Poster
Canvas Prints from Fine Art Storehouse
Puppet Poster
circa 1950: A poster of Wang-Ching-Wei, puppet ruler of Manchuku, beams from behind the barbed wire that separates British and Japanese territory in Hong Kong. (Photo by Mrs T. Muir/Three Lions/Getty Images)
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Mrs T. Muir
Media ID 21135075
Barbed Wire Chinese Fence Format Landscape Poster Premiers
20"x16" (50x40cm) Canvas Print
Step into the past with our captivating Canvas Prints from Media Storehouse. This particular piece showcases a vintage Puppet Poster by Mrs. T. Muir from our Fine Art Storehouse collection. Dating back to circa 1950, this powerful image depicts Wang-Ching-Wei, the puppet ruler of Manchuku, gazing intently from behind the barbed wire that once separated British and Japanese territories in Hong Kong. Each Canvas Print is meticulously crafted with high-quality materials, ensuring vibrant colors and exceptional detail that bring history to life in your home or office. Add a touch of timeless charm and intrigue to your space with this unique and captivating piece.
Ready to hang Premium Gloss Canvas Print. Our archival quality canvas prints are made from Polyester and Cotton mix and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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> Asia
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> Fine Art Storehouse
> Hulton Archive
EDITORS COMMENTS
In this print titled "Puppet Poster (circa 1950)" we are transported back to a significant moment in history. The image showcases the juxtaposition of power and captivity, as a poster featuring Wang-Ching-Wei, the puppet ruler of Manchuku, beams from behind the barbed wire that separates British and Japanese territory in Hong Kong. The landscape format allows us to take in the full scene, emphasizing the stark contrast between freedom and confinement. The white fence acts as a physical barrier symbolizing division and oppression. Meanwhile, the menacing presence of barbed wire serves as a reminder of the harsh reality faced by those trapped within its confines. The prominence of Wang-Ching-Wei's poster raises questions about political influence and manipulation during this era. As one of China's premiers at that time, his image represents Chinese authority compromised under Japanese control. This visual representation captures not only an individual but also reflects larger geopolitical tensions prevalent in Asia during this period. Photographed by Mrs T. Muir for Three Lions/Getty Images, this historical artifact offers us a glimpse into an important chapter in our past. It serves as a powerful reminder of how art can transcend boundaries and convey complex narratives through imagery alone.
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