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Canvas Print : The Captives; Les Captives, c. 1923-25 (oil on canvas)

The Captives; Les Captives, c. 1923-25 (oil on canvas)



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The Captives; Les Captives, c. 1923-25 (oil on canvas)

653172 The Captives; Les Captives, c.1923-25 (oil on canvas) by Pascin, Jules (1885-1930); 55x66 cm; Private Collection; (add.info.: The Captives; Les Captives. Jules Pascin (1885-1930). Oil on canvas. Painted circa 1923-25. 55 x 66cm.); Photo eChristies Images; Bulgarian, out of copyright

Media ID 23294562

© Christie's Images / Bridgeman Images

122011upload 1923 1925 Boredom Bulgarian Artist Captive Captivity Expressionism Expressionist Gray Grey Half Dressed Incarcerated Incarceration Jail Jules Pascin Julius Mordecai Pincas Large Group Modern Art Negative Concept Only Women Partly Dressed Pascin Pose Posed Posing Prison Punish Punishing Reclining Semi Clad Semi Dress Towel Women Only Punishment Semi Nude


20"x16" (50x40cm) Canvas Print

Bring the captivating allure of Jules Pascin's 'The Captives' into your home with our Media Storehouse Canvas Prints. This exquisite oil on canvas masterpiece, originally created between 1923 and 1925, showcases the enchanting world of Les Captives as depicted by the brilliant artist. With vibrant colors and bold brushstrokes, this captivating work of art comes to life on your wall, adding a touch of sophistication and charm to any space. Our high-quality canvas prints are meticulously crafted to ensure the finest details and colors are preserved, allowing you to enjoy the beauty of Pascin's masterpiece every day.

Ready to hang Premium Gloss Canvas Print. Our archival quality canvas prints are made from Polyester and Cotton mix and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Animals > Fishes > G > Grouper

> Arts > Art Movements > Expressionism

> Arts > Artists > P > Jules Pascin

> Arts > Contemporary art > Modern art > Expressionism

> Arts > Still life artwork > Oil paintings > Expressionist art

> Arts > Modern art pieces > Expressionism > Art collection

> Arts > Modern art pieces > Expressionism > Fine art

> Arts > Modern art pieces > Expressionism > Modern art

> Arts > Modern art pieces > Expressionism

> Arts > Modern art pieces

> Fine Art Finder > Artists > Fernand Khnopff

> Fine Art Finder > Artists > Jules Pascin

> Fine Art Finder > Temp Classification


The Captives; Les Captives

EDITORS COMMENTS
is a captivating oil painting by Bulgarian artist Jules Pascin, created between 1923 and 1925. The artwork measures 55x66 cm and is currently held in a private collection. In this early twentieth-century masterpiece, Pascin depicts a large group of women who appear to be imprisoned or confined in some way. The somber gray tones and negative concept convey a sense of incarceration and punishment. Some of the women are standing, while others are seated or reclining on towels. Pascin's expressive style, influenced by expressionism, adds depth to the composition as he captures the boredom and resignation on the captives' faces. The semi-nude figures evoke vulnerability and emphasize their captivity. The artist's deliberate choice to portray only women further emphasizes the theme of confinement. Their partly dressed state suggests both physical restraint and psychological imprisonment. Through his skillful use of color, posture, and pose, Pascin invites viewers to contemplate themes such as power dynamics, societal constraints, and personal freedom. "The Captives; Les Captives" stands as an important example of modern art from the early twentieth century. Its thought-provoking imagery continues to resonate with audiences today as it raises questions about individual agency within oppressive systems.

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