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Canvas Print : EyeUbiquitous_20096293
Canvas Prints from EyeUbiquitous
EyeUbiquitous_20096293
IRELAND, North, Belfast, West, Falls Road, Peace Line barrier between the Catholic Lower Falls and Protestant Shankill areas
Eye Ubiquitous specialise in unique images of People and Places, their Cultures and Environments
Media ID 20047780
© Stephen Rafferty / Eye Ubiquitous
Conflict Defence Division Fence Politics Protection Social Issues Wall Barricade
21"x14" (53x35cm) Canvas Print
Experience the power of art to evoke emotion and inspire with the Media Storehouse Canvas Prints. Featuring "EyeUbiquitous_20096293" by renowned photographer Stephen Rafferty from EyeUbiquitous. This captivating image captures the iconic Peace Line barrier in Belfast, Northern Ireland, with the Catholic Lower Falls and Protestant Shankill areas separated yet connected. Our high-quality canvas prints bring out the rich colors and textures of the original photograph, making it a stunning addition to any home or office space. Order yours today and bring a piece of history and art into your world.
Ready to hang Premium Gloss Canvas Print. Our archival quality canvas prints are made from Polyester and Cotton mix and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 53.3cm x 35.6cm (21" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
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> Ireland
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> United Kingdom
> Northern Ireland
> Belfast
> EyeUbiquitous
> Architecture
EDITORS COMMENTS
This powerful print captures the stark reality of a divided community in Belfast, Northern Ireland. The image showcases the imposing Peace Line barrier that separates the Catholic Lower Falls and Protestant Shankill areas on Falls Road. Standing tall and fortified, this structure symbolizes not only physical segregation but also deep-rooted political and social issues. The architecture of this barrier is a testament to the urban defense mechanisms employed to protect each side from potential conflict. Its presence serves as a constant reminder of the troubled history that has plagued these communities for decades. The wall stands as both a barricade and a fence, physically dividing neighbors who share more similarities than differences. Stephen Rafferty's lens skillfully captures the raw emotions associated with this divisive structure. Through his lens, we witness how conflicts have shaped cities like Belfast, leaving behind visible scars etched into their landscapes. Beyond its architectural significance, this photograph sparks contemplation about larger themes such as conflict, division, protection, and segregation. It prompts us to reflect on societies around the world where walls are erected in an attempt to maintain peace or control unrest. In Stephen Rafferty's poignant portrayal of Belfast's Peace Line barrier, we are compelled to confront uncomfortable truths about our shared humanity – reminding us that despite our differences or geographical boundaries, unity should always be pursued over division.
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