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William Blake Collection (page 5)

William Blake was an English poet, painter, and printmaker who lived during the late 18th and early 19th centuries

959 items

Background imageWilliam Blake Collection: P. 125-1950. pt23 Spring (cont. ): plate 23 from Songs of Innocence and of Experience

P. 125-1950. pt23 Spring (cont. ): plate 23 from Songs of Innocence and of Experience
FIT83176 P.125-1950.pt23 Spring (cont.): plate 23 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageWilliam Blake Collection: P. 125-1950. pt13 The Little Boy Lost: plate 13 from

P. 125-1950. pt13 The Little Boy Lost: plate 13 from
FIT83166 P.125-1950.pt13 The Little Boy Lost: plate 13 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake

Background imageWilliam Blake Collection: P. 125-1950. pt2 Frontispiece: plate 2 from Songs of Innocence and of Experience

P. 125-1950. pt2 Frontispiece: plate 2 from Songs of Innocence and of Experience
FIT83155 P.125-1950.pt2 Frontispiece: plate 2 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageWilliam Blake Collection: P. 124-1950. pt52 A Little Girl Lost: plate 52 from Songs of Innocence

P. 124-1950. pt52 A Little Girl Lost: plate 52 from Songs of Innocence
FIT83152 P.124-1950.pt52 A Little Girl Lost: plate 52 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageWilliam Blake Collection: P. 124-1950. pt39 Nurses Song: plate 39 from Songs of Innocence

P. 124-1950. pt39 Nurses Song: plate 39 from Songs of Innocence
FIT83139 P.124-1950.pt39 Nurses Song: plate 39 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageWilliam Blake Collection: P. 124-1950. pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence

P. 124-1950. pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence
FIT83131 P.124-1950.pt31 Introduction to Songs of Experience: plate 31 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake

Background imageWilliam Blake Collection: P. 124-1950. pt24 Nurses Song: plate 24 from Songs of Innocence and of Experience

P. 124-1950. pt24 Nurses Song: plate 24 from Songs of Innocence and of Experience
FIT83124 P.124-1950.pt24 Nurses Song: plate 24 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageWilliam Blake Collection: The Lazar House, 1795

The Lazar House, 1795
FIT55404 The Lazar House, 1795 by Blake, William (1757-1827); Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Background imageWilliam Blake Collection: Job and his Daughters (pl. 20) from the Book of Job, c. 1793 (hand tinted line engraving)

Job and his Daughters (pl. 20) from the Book of Job, c. 1793 (hand tinted line engraving)
FIT58229 Job and his Daughters (pl.20) from the Book of Job, c.1793 (hand tinted line engraving) by Blake, William (1757-1827); 22x17 cm; Fitzwilliam Museum, University of Cambridge

Background imageWilliam Blake Collection: The Soldiers Casting Lots for Christs Garments, 1800 (pen, indian ink

The Soldiers Casting Lots for Christs Garments, 1800 (pen, indian ink
FIT57603 The Soldiers Casting Lots for Christs Garments, 1800 (pen, indian ink, grey wash and w/c) by Blake, William (1757-1827); Fitzwilliam Museum, University of Cambridge

Background imageWilliam Blake Collection: Songs of Innocence and of Experience Plate 7: the Lamb, c

Songs of Innocence and of Experience Plate 7: the Lamb, c
FIT59118 Songs of Innocence and of Experience Plate 7: the Lamb, c.1789-94 (relief etching finished in pen and w/c) by Blake, William (1757-1827); Fitzwilliam Museum, University of Cambridge

Background imageWilliam Blake Collection: The Resurrection: The Angels rolling away the Stone from the Sepulchre

The Resurrection: The Angels rolling away the Stone from the Sepulchre
NUL25420 The Resurrection: The Angels rolling away the Stone from the Sepulchre by Blake, William (1757-1827); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageWilliam Blake Collection: St. Joan of Arc (pencil and pastel on buff paper)

St. Joan of Arc (pencil and pastel on buff paper)
1765047 St. Joan of Arc (pencil and pastel on buff paper) by Richmond, William Blake (1842-1921); 71.3x56 cm; Private Collection; (add.info.: St. Joan of Arc. Sir William Blake Richmond (1842-1921)

Background imageWilliam Blake Collection: Holy Thursday, 1789 (hand-coloured relief-etching, watercolour)

Holy Thursday, 1789 (hand-coloured relief-etching, watercolour)
985823 Holy Thursday, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: Holy Thursday. Plate 8 from Songs of Innocence)

Background imageWilliam Blake Collection: Frontispiece, from Songs of Innocence, 1789 (hand-coloured relief-etched

Frontispiece, from Songs of Innocence, 1789 (hand-coloured relief-etched
986380 Frontispiece, from Songs of Innocence, 1789 (hand-coloured relief-etched printed plate) by Blake, William (1757-1827); 19x13.5 cm; Private Collection; (add.info.: Frontispiece)

Background imageWilliam Blake Collection: Deaths Door, illustration for Robert Blairs poem The Grave (etching)

Deaths Door, illustration for Robert Blairs poem The Grave (etching)
5233444 Deaths Door, illustration for Robert Blairs poem The Grave (etching) by Blake, William (1757-1827) (after); Private Collection; (add.info.: Deaths Door)

Background imageWilliam Blake Collection: Tornado, pub. 1795 (engraving)

Tornado, pub. 1795 (engraving)
5902936 Tornado, pub. 1795 (engraving) by Blake, William (1757-1827) and Fuseli, Henry (1741-1825) (after); Private Collection; (add.info)

Background imageWilliam Blake Collection: 'Root of an oak, he was suspended in a fungus... '

"Root of an oak, he was suspended in a fungus... "
FIT113957 " Root of an oak, he was suspended in a fungus...", text from The Marriage of Heaven and Hell, c.1790-3 (relief etching finished in pen and w/c) by Blake

Background imageWilliam Blake Collection: Preludium, plate 1 from America, a Prophecy, 1793

Preludium, plate 1 from America, a Prophecy, 1793
FIT109646 Preludium, plate 1 from America, a Prophecy, 1793 (relief etching & w/c on paper) by Blake, William (1757-1827); 24x17 cm; Fitzwilliam Museum, University of Cambridge

Background imageWilliam Blake Collection: Visions of the Daughters of Albion: Where the Cold Miser Spreads His Gold

Visions of the Daughters of Albion: Where the Cold Miser Spreads His Gold
FIT111242 Visions of the Daughters of Albion: Where the Cold Miser Spreads His Gold.. designed in 1793, completed c.1815 (relief etching with pen and w/c on paper) by Blake

Background imageWilliam Blake Collection: William Blake (1757-1827) Life Mask, 1823 (plaster)

William Blake (1757-1827) Life Mask, 1823 (plaster)
FIT110158 William Blake (1757-1827) Life Mask, 1823 (plaster) by Deville, J.s (fl.1823); height: 29.3 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Background imageWilliam Blake Collection: Visions of the Daughters of Albion: Title Page, designed in 1793, completed c

Visions of the Daughters of Albion: Title Page, designed in 1793, completed c
FIT111241 Visions of the Daughters of Albion: Title Page, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper) by Blake

Background imageWilliam Blake Collection: Nebuchadnezzar, 1795 (tempera, pen & ink and w / c on paper)

Nebuchadnezzar, 1795 (tempera, pen & ink and w / c on paper)
828832 Nebuchadnezzar, 1795 (tempera, pen & ink and w/c on paper) by Blake, William (1757-1827); 43x60.3 cm; Minneapolis Institute of Arts, MN

Background imageWilliam Blake Collection: Beatrice and Dante in Gemini, amid Spheres of Flame, illustration to the

Beatrice and Dante in Gemini, amid Spheres of Flame, illustration to the
877949 Beatrice and Dante in Gemini, amid Spheres of Flame, illustration to the Divine Comedy, Paradiso, 1825-27 (w/c with pen & ink over graphite) by Blake

Background imageWilliam Blake Collection: Nebuchadnezzar, 1795

Nebuchadnezzar, 1795
882103 Nebuchadnezzar, 1795 by Blake, William (1757-1827); Minneapolis Institute of Arts, MN, USA; (add.info.: 16 15/16 x 23 3/4 in. (43.02 x 60.33 cm) (sheet) 23 3/4 x 29 3/4 x 1 1/8 in

Background imageWilliam Blake Collection: The Book of Urizen, plate 2, 1794 (etching)

The Book of Urizen, plate 2, 1794 (etching)
938612 The Book of Urizen, plate 2, 1794 (etching) by Blake, William (1757-1827); Private Collection; English, out of copyright

Background imageWilliam Blake Collection: Rocks at Tintagel (oil on canvas)

Rocks at Tintagel (oil on canvas)
619272 Rocks at Tintagel (oil on canvas) by Richmond, William Blake (1842-1921); 49.5x38.7 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageWilliam Blake Collection: And the Thirty-Two Counties... plate 72 from Jerusalem

And the Thirty-Two Counties... plate 72 from Jerusalem
XYC151895 And the Thirty-Two Counties... plate 72 from Jerusalem (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper) by Blake

Background imageWilliam Blake Collection: Christ Tempted by Satan to Turn the Stones to Bread, illustration from

Christ Tempted by Satan to Turn the Stones to Bread, illustration from
FIT113932 Christ Tempted by Satan to Turn the Stones to Bread, illustration from Paradise Regained by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper) by Blake

Background imageWilliam Blake Collection: The Baptism of Christ, illustration from Paradise Regained by John Milton, c

The Baptism of Christ, illustration from Paradise Regained by John Milton, c
FIT113931 The Baptism of Christ, illustration from Paradise Regained by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper) by Blake, William (1757-1827); 17.4x13.6 cm; Fitzwilliam Museum

Background imageWilliam Blake Collection: Amy, Dorothea and Hungerford Wren Hoskyns, 1863 (oil on canvas)

Amy, Dorothea and Hungerford Wren Hoskyns, 1863 (oil on canvas)
BAL12546 Amy, Dorothea and Hungerford Wren Hoskyns, 1863 (oil on canvas) by Richmond, William Blake (1842-1921); 66x84 cm; Private Collection; (add.info.: Chandos Hoskyns)

Background imageWilliam Blake Collection: Europe a Prophecy; Left to right frontispiece and title page

Europe a Prophecy; Left to right frontispiece and title page
XND70219 Europe a Prophecy; Left to right frontispiece and title page; God Creating the Universe (The Creation of the Material World by Jehovah in the guise of Urizen)

Background imageWilliam Blake Collection: Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour)

Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour)
XND70210 Songs of Innocence; Title Page, 1789 (relief etching tinted with watercolour) by Blake, William (1757-1827); 12x7.3 cm; Private Collection; English, out of copyright

Background imageWilliam Blake Collection: P. 127-1950. pt. 32 A priest on Christs throne, wearing a papal tiara and bat

P. 127-1950. pt. 32 A priest on Christs throne, wearing a papal tiara and bat
FIT77543 P.127-1950.pt.32 A priest on Christs throne, wearing a papal tiara and bats wings from Europe, A Prophecy, c.1821 (relief etching with pen & w/c on paper) by Blake

Background imageWilliam Blake Collection: Marriage of Heaven and Hell (pl. 20), c. 1790-93 (relief etching finished in pen and w / c)

Marriage of Heaven and Hell (pl. 20), c. 1790-93 (relief etching finished in pen and w / c)
FIT58837 Marriage of Heaven and Hell (pl.20), c.1790-93 (relief etching finished in pen and w/c) by Blake, William (1757-1827); Fitzwilliam Museum, University of Cambridge

Background imageWilliam Blake Collection: The Circumcision, 1799-1800 (tempera on canvas)

The Circumcision, 1799-1800 (tempera on canvas)
FIT55402 The Circumcision, 1799-1800 (tempera on canvas) by Blake, William (1757-1827); 25.7x36.4 cm; Fitzwilliam Museum, University of Cambridge

Background imageWilliam Blake Collection: William Blake Wearing a Hat, (inscription: 'Wm Blake at Hampstead') c. 1825 (pencil)

William Blake Wearing a Hat, (inscription: "Wm Blake at Hampstead") c. 1825 (pencil)
FIT63151 William Blake Wearing a Hat, (inscription: "Wm Blake at Hampstead") c.1825 (pencil) by Linnell, John (1792-1882); 17.7x11.2 cm; Fitzwilliam Museum, University of Cambridge

Background imageWilliam Blake Collection: P. 391-1985 Joseph of Arimathea among the rocks of Albion, (1st state)

P. 391-1985 Joseph of Arimathea among the rocks of Albion, (1st state)
FIT77548 P.391-1985 Joseph of Arimathea among the rocks of Albion, (1st state), 1773 (etching and line engraving coloured with brown ink) by Blake

Background imageWilliam Blake Collection: P. 127-1950. pt. 19 The Ancient of Days, frontispiece of Europe, A Prophecy, c

P. 127-1950. pt. 19 The Ancient of Days, frontispiece of Europe, A Prophecy, c
FIT77542 P.127-1950.pt.19 The Ancient of Days, frontispiece of Europe, A Prophecy, c.1821 (relief etching with pen and w/c on paper) by Blake, William (1757-1827); 30.4x23.6 cm; Fitzwilliam Museum

Background imageWilliam Blake Collection: The Recording Angel, illustration from Canto 19 Paradiso of the

The Recording Angel, illustration from Canto 19 Paradiso of the
BIR99627 The Recording Angel, illustration from Canto 19 Paradiso of the Divine Comedy by Dante Alighieri (1265-1321) c.1824-27 (pen & ink, pencil, w/c on paper) by Blake

Background imageWilliam Blake Collection: The Circle of the Traitors, illustration from Canto 32 of Inferno from

The Circle of the Traitors, illustration from Canto 32 of Inferno from
BIR99626 The Circle of the Traitors, illustration from Canto 32 of Inferno from The Divine Comedy by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper) by Blake

Background imageWilliam Blake Collection: P. 124-1950. pt4 The Shepherd: plate 4 from Songs of Innocence and of Experience (copy R) c

P. 124-1950. pt4 The Shepherd: plate 4 from Songs of Innocence and of Experience (copy R) c
FIT83104 P.124-1950.pt4 The Shepherd: plate 4 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageWilliam Blake Collection: The Mission of Virgil, illustration from Canto 2 of Inferno of

The Mission of Virgil, illustration from Canto 2 of Inferno of
BIR99629 The Mission of Virgil, illustration from Canto 2 of Inferno of The Divine Comedy by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper) by Blake

Background imageWilliam Blake Collection: The Crucifixion (pen and wash)

The Crucifixion (pen and wash)
AGN81579 The Crucifixion (pen and wash) by Blake, William (1757-1827); 32.8x34.5 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageWilliam Blake Collection: P. 125-1950. pt50 A Little Boy Lost: plate 50 from Songs of Innocence and of Experience

P. 125-1950. pt50 A Little Boy Lost: plate 50 from Songs of Innocence and of Experience
FIT83203 P.125-1950.pt50 A Little Boy Lost: plate 50 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageWilliam Blake Collection: P. 125-1950. pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy a) c

P. 125-1950. pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy a) c
FIT83193 P.125-1950.pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageWilliam Blake Collection: P. 125-1950. pt38 Nurses Song: plate 38 from Songs of Innocence and of Experience

P. 125-1950. pt38 Nurses Song: plate 38 from Songs of Innocence and of Experience
FIT83191 P.125-1950.pt38 Nurses Song: plate 38 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageWilliam Blake Collection: P. 125-1950. pt35 The Little Girl Found: plate 35 from Songs of Innocence

P. 125-1950. pt35 The Little Girl Found: plate 35 from Songs of Innocence
FIT83188 P.125-1950.pt35 The Little Girl Found: plate 35 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake



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William Blake Collection

William Blake was an English poet, painter, and printmaker who lived during the late 18th and early 19th centuries. He is considered to be one of the most influential figures in Romanticism and a major contributor to the foundation of modern art. His works often explored themes such as spirituality, imagination, innocence, and experience. He wrote several famous poems including "The Tyger," "The Lamb," and "London." His paintings were often symbolic representations of his spiritual beliefs. Blake's work has had a lasting impact on literature, art history, philosophy, and culture. He is remembered for his unique style that combined elements from both traditional art forms with his own imaginative vision.
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Our beautiful pictures are available as Framed Prints, Photos, Wall Art and Photo Gifts

The William Blake collection from Media Storehouse offers a wide range of wall art, framed prints, photo prints, canvas prints, jigsaw puzzles and greeting cards featuring the works of the famous English poet and artist. Our collection includes some of his most iconic pieces such as "The Tyger", "Jerusalem" and "The Ancient of Days". These artworks are available in various sizes to suit different spaces and preferences. William Blake was known for his unique style that combined poetry with visual art. His works were often inspired by religious themes and mythology. Our collection showcases his mastery in using intricate details, bold colors and imaginative compositions to create stunning visuals that evoke strong emotions. Whether you're looking for a statement piece for your living room or a thoughtful gift for an art enthusiast, the William Blake collection from Media Storehouse is sure to impress. With high-quality printing techniques used on premium materials, these artworks are guaranteed to last a lifetime.
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What are William Blake (Artists Arts) art prints?

William Blake was an English poet, painter, and printmaker who lived in the late 18th and early 19th centuries. His art prints are reproductions of his original works that showcase his unique style and vision. Blake's art is known for its mystical themes, vivid colors, and intricate details. He often combined text with images to create a powerful narrative that explored spiritual and philosophical ideas. We offer a wide selection of William Blake's art prints that capture the essence of his work. These prints are made using high-quality materials to ensure their longevity and vibrancy. They come in various sizes to suit different preferences and can be framed or mounted according to your needs. Whether you're a fan of Blake's poetry or simply appreciate his artistic talent, these prints are sure to add beauty and depth to any space they occupy. With our extensive collection, you can choose from some of the most iconic pieces by this legendary artist at affordable prices.
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What William Blake (Artists Arts) art prints can I buy from Media Storehouse?

We offer a wide range of William Blake art prints for purchase. Some popular options include "The Ancient of Days," "The Tyger," and "Newton." These prints showcase Blake's unique style, which often incorporates intricate designs and mystical themes. Other notable works available through Media Storehouse include "Jerusalem" and "The Marriage of Heaven and Hell." You can choose from a variety of sizes to fit their needs, with options ranging from small posters to large canvas prints. Each print is produced using high-quality materials to ensure that the artwork looks stunning in any setting. Whether you're looking for a statement piece for your home or office, or simply want to add some beautiful art to your collection, we have plenty of William Blake prints to choose from.
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How do I buy William Blake (Artists Arts) art prints?

To purchase William Blake art prints from Media Storehouse, you can browse our extensive collection of artwork online. Once you have found the print that you would like to buy, simply add it to your cart and proceed to checkout. You will be prompted to enter your shipping and payment information before completing your order. We offer a variety of sizes and formats for their prints, including framed or unframed options. We also offer a range of paper types to choose from, so you can select the one that best suits your needs. When purchasing William Blake art prints from Media Storehouse, you can be confident in the quality of the product as they use only high-quality materials and printing techniques. Whether you are looking for a classic piece for your home or office or searching for a unique gift idea, we have something for everyone.
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How much do William Blake (Artists Arts) art prints cost?

As a language model AI, I do not have personal experience with purchasing art prints from Media Storehouse. However, the cost of William Blake's art prints may vary depending on factors such as size, material, and edition. It is best to check the available options and prices directly from Media Storehouse or their authorized dealers. Additionally, it is important to note that investing in high-quality art prints can be a valuable addition to any collection or home decor. The beauty and uniqueness of William Blake's artwork are undeniable and his pieces have stood the test of time as some of the most iconic works in history. Whether you're an avid collector or simply appreciate fine art, owning a piece by this renowned artist can bring joy and inspiration for years to come.
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How will my William Blake (Artists Arts) art prints be delivered to me?

We take great care in ensuring that your William Blake art prints are delivered to you safely and securely. We use high-quality packaging materials to protect your artwork during transit, including sturdy cardboard tubes or flat packages with reinforced corners. Our team of experienced professionals carefully handle each print, ensuring that it is packaged correctly and arrives at your doorstep in pristine condition. We also provide tracking information so you can keep an eye on the progress of your delivery. Whether you have ordered a single print or multiple pieces of art, we will ensure that they are all packaged together for safe delivery. Our goal is to make sure that you receive your William Blake art prints exactly as they were intended - beautiful and ready to be displayed in your home or office. We pride ourselves on our commitment to customer satisfaction and look forward to delivering your order soon.