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Antique Framed Print : Thomas Webster - 1
Framed Photos from Mary Evans Picture Library
Thomas Webster - 1
THOMAS WEBSTER artist Date: 1800 - 1886
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14108559
© Mary Evans Picture Library
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 19.5cm x 24.4cm (7.7" x 9.6")
Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
1. Title: "Thomas Webster: A Victorian Master of Portraits and Historical Subjects" Thomas Webster (1800-1886), a prolific and influential British painter of the Victorian era, is depicted in this evocative self-portrait. Born in Edinburgh, Scotland, in 1800, Webster was a versatile artist who excelled in both portraiture and historical subjects. His career spanned over six decades, leaving a significant mark on the art world of his time. Webster's artistic journey began when he studied under the renowned Scottish painter, Sir Henry Raeburn. He later moved to London in 1823, where he became a member of the Royal Academy in 1831. Webster's mastery of various techniques, including oil painting and watercolors, allowed him to capture the essence of his subjects with remarkable detail and depth. This self-portrait, painted in later life, reveals the artist's wisdom and experience. Webster's piercing gaze and carefully groomed appearance suggest a man of refinement and intellectual curiosity. The artist's hands, resting on a sketchbook, allude to his dedication to his craft. The background, adorned with books and art supplies, further emphasizes his commitment to his work. Throughout his career, Webster produced numerous portraits of prominent figures from the worlds of politics, literature, and the arts. His historical paintings, which often depicted scenes from Shakespearean plays or biblical stories, were equally admired for their accuracy and emotional resonance. Webster's works were widely exhibited and collected, cementing his reputation as a leading artist of the Victorian era. This self-portrait serves as a testament to Thomas Webster's artistic prowess and enduring legacy. It invites us to appreciate the life and achievements of this remarkable figure in the history of art.
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