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Antique Framed Print : Refuse collector at work on a Balham street, SW London

Refuse collector at work on a Balham street, SW London



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Refuse collector at work on a Balham street, SW London

Refuse collector at work on a Balham street, SW London. He is wearing a mortar board which someone has thrown away. Date: circa 1960s

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14223987

© The Paul Kaye Collection / Mary Evans Picture Library

Balham Binman Binmen Bins Collector Collectors Dirty Dustbin Dustbins Dustman Dustmen Missing Mortar Refuse Rolled Shirt Shirtsleeves Tooth Waistcoat


18"x16" (46x41cm) Antique Frame

Bevelled wood effect frame, card mounted, 12x10 archival quality photo print. Overall outside dimensions 18x16 inches (46x41cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 26.7cm x 29.4cm (10.5" x 11.6")

Estimated Product Size is 41.4cm x 46.4cm (16.3" x 18.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
In this evocative photograph, taken in the 1960s on a quiet Balham street in South West London, we find a refuse collector at work. Dressed in a simple waistcoat and shirt, with rolled-up shirtsleeves, he wears a mortar board on his head, an unusual accessory for someone in his line of work. The mortar board, it seems, was once someone else's graduation cap, now discarded and repurposed. The scene is one of quiet industry, with the collector carefully sorting through the contents of a dustbin, separating recyclables from non-recyclables, no doubt for efficient disposal at the local dump. The dustbins, made of metal, stand proudly in front of the houses, their rusted surfaces a testament to the passage of time. Despite the grime and dirt of his job, the collector wears a smile on his face, a small reminder that even the most mundane of tasks can be approached with a sense of pride and satisfaction. The photograph captures a moment in history, a snapshot of life in the 1960s, when the world moved at a slower pace and the simple act of collecting refuse was a vital part of the community. The image is a poignant reminder of the past, a time when the role of the refuse collector was a respected and essential one, and when the humble mortar board could find a new life as a makeshift hat on the streets of Balham. The photograph is a treasure trove of historical detail, from the missing tooth of the collector to the front gates of the houses, and is a must-have for anyone interested in the social history of London in the 1960s.

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