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Antique Framed Print : Apparatus for the Removal of the Double Chin 1927
Framed Photos from Mary Evans Picture Library
Apparatus for the Removal of the Double Chin 1927
Fashionable beauty parlour, a Parisian lady wearing a special mask to achieve a Cameosque profile. Date: 1927
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23461348
© Illustrated London News Ltd/Mary Evans
Apparatus Assist Chin Double Mask Masks Parlour Removal Remove Treatment Treatments Vanity Wires 1927
21"x16" (54x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 21.5cm x 37.1cm (8.5" x 14.6")
Estimated Product Size is 41.4cm x 54cm (16.3" x 21.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photograph from 1927 showcases a fashionable Parisian woman undergoing a beauty treatment at a modern beauty parlour. The innovative apparatus she wears on her face is designed to assist in the removal of her double chin, a common concern for women during the 1920s. The sleek and stylish mask, adorned with intricate wires, is reminiscent of ancient Roman cameos, adding an air of elegance and sophistication to the procedure. The 1920s were a decade of self-expression and vanity, with women placing great emphasis on their appearance. Beauty treatments and equipment were in high demand, and this apparatus for double chin removal was just one of many innovative solutions marketed to help women achieve the perfect profile. The woman in the photograph wears a determined expression, as if focusing on the sensation of the wires gently pulling and shaping her chin. Her poised posture and refined attire further emphasize the importance placed on beauty and appearance during this era. This photograph is a fascinating glimpse into the past, illustrating the lengths women went to in order to enhance their features and maintain their youth and beauty. The intricate mask and the dedicated expression on the woman's face serve as a reminder of the enduring desire for self-improvement and the role of beauty treatments in shaping our perceptions of femininity and beauty throughout history.
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