Antique Framed Print > Mary Evans Prints Online > National Museums Northern Ireland
Antique Framed Print : John Vinycomb, MRIA
Framed Photos from Mary Evans Picture Library
John Vinycomb, MRIA
John Vinycomb, MRIA 1833-1928 (1892). Taylor, Ernest E. 1863-1907. Date: 1892
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 13101499
© National Museums NI / MARY EVANS
1892 Ernest Mria Taylor Worked
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 19.1cm x 24.4cm (7.5" x 9.6")
Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This oil painting depicts John Vinycomb, MRIA (Member of the Royal Irish Academy), captured in a moment of deep thought and introspection. Painted by the renowned English artist Ernest E. Taylor in 1892, the portrait showcases Vinycomb's distinguished features, with his piercing gaze and well-groomed beard. Vinycomb's academic title, MRIA, is proudly displayed below his name, signifying his esteemed membership in the Royal Irish Academy, an organization dedicated to promoting and recognizing excellence in the sciences, literature, and arts in Ireland. Taylor's masterful use of light and shadow creates a sense of depth and dimension, drawing the viewer into the painting. The muted colors and intricate details of Vinycomb's attire further emphasize the painting's authenticity and historical significance. John Vinycomb was a prominent figure in Irish academic and intellectual circles during the late 19th century. He made significant contributions to the fields of mathematics and physics, publishing numerous papers and delivering lectures at the Royal Irish Academy. His work was highly regarded both in Ireland and abroad, and he was a respected member of the academic community. This painting is a testament to the rich cultural heritage of Ireland during this period, and a reminder of the important role that individuals like John Vinycomb played in shaping the intellectual landscape of the time. The portrait also serves as a tribute to the artistic talents of Ernest E. Taylor, who expertly captured the essence of his subject and created a timeless work of art.
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