Antique Framed Print > Mary Evans Prints Online > National Museums Northern Ireland
Antique Framed Print : Head of a Saint : possibly a Fragment of a Nativity
Framed Photos from Mary Evans Picture Library
Head of a Saint : possibly a Fragment of a Nativity
Head of a Saint : possibly a Fragment of a Nativity. Master of the Female Half-Lengths fl. 1520-1540
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 13101411
© National Museums NI / MARY EVANS
Flemish Fragment Half Lengths Master Nativity Panel Possibly
21"x16" (54x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 19.6cm x 37.1cm (7.7" x 14.6")
Estimated Product Size is 41.4cm x 54cm (16.3" x 21.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This exquisite oil on panel painting depicts the head of a saint, possibly a fragment from a larger Nativity scene. The masterful artwork is attributed to the Flemish painter, Master of the Female Half-Lengths, who is known for his detailed and expressive portrayals of religious figures. The saint's face is serene and contemplative, with a gentle smile playing at the corners of his mouth. His long, curly hair is meticulously rendered, cascading down his shoulders in soft waves. The saint's halo is adorned with intricate patterns and delicate foliage, adding to the sense of otherworldly beauty and divinity. The background of the painting is simple yet evocative, with a subtle golden glow that suggests the presence of the Nativity scene beyond the frame. The use of oil paint allows for a rich, velvety texture, bringing the saint's features to life with remarkable detail and depth. The painting's small size belies its intricacy and emotional impact. The Master of the Female Half-Lengths was an active painter in Flanders during the early 16th century, and this head of a saint is a testament to his skill and artistic vision. The painting's delicate beauty and spiritual depth make it a treasured work of art, worthy of close examination and contemplation.
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