Antique Framed Print : Hyacinthe Rigaud - 2
Framed Photos from Mary Evans Picture Library
Hyacinthe Rigaud - 2
Hyacinthe Francois Honorat Mathias Pierre Martyr Andre Jean Y Ros Rigaud French Artist Date: 1659 - 1743
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14102818
© Mary Evans Picture Library
1659 1743 Andre Francois Hyacinthe Martyr Mathias Pierre Rigaud Honorat
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 18cm x 24.4cm (7.1" x 9.6")
Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Hyacinthe Rigaud: A Masterful Portrait of 18th Century French Artistry Hyacinthe Rigaud's self-portrait, created around 1702, is a captivating testament to the artistic prowess of one of France's most celebrated painters of the 18th century. Born in Arles, Provence, in 1659, Rigaud's passion for art began at a young age. He studied under the tutelage of local artists before moving to Paris to further his education. Rigaud's career flourished under the patronage of King Louis XIV, who commissioned him to paint numerous portraits of the royal family and their courtiers. This self-portrait, however, offers a rare glimpse into the artist's own world. Rigaud masterfully captured his likeness, with piercing eyes that seem to gaze intently out from the canvas. His attire, elegant and refined, reflects the fashionable style of the time. The intricate details of the painting reveal Rigaud's exceptional skill as a painter. The delicate folds of his shirt and the rich textures of his coat are rendered with remarkable precision. The play of light and shadow on his face and hands adds depth and dimension to the portrait. Rigaud's self-portrait is a testament to the artistic excellence of the French Baroque period. His ability to capture the essence of his own likeness, combined with his technical mastery, makes this painting a true masterpiece. Hyacinthe Rigaud's career spanned over six decades, and he continued to produce influential works until his death in 1743. His legacy as a painter and a key figure in the artistic world of 18th century France endures to this day.
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