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Antique Framed Print : Fresh Air from the Potteries
Framed Photos from Mary Evans Picture Library
Fresh Air from the Potteries
" Fresh Air from the Potteries" A sarcastic caption accompanying a fine photograph of the skyline of dark satanic mills which characterised the Potteries (Stoke-on-Trent, Staffordshire) from the Industrial Revolution through to the 1950s. Date: 1930
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Media ID 7243933
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10578897
Chimneys Heavy Kiln Kilns Mills Potteries Revolution Satanic Sky Line Staffordshire Stoke Towers Trent Belching
21"x16" (54x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 37.1cm x 23.8cm (14.6" x 9.4")
Estimated Product Size is 54cm x 41.4cm (21.3" x 16.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Fresh Air from the Potteries
EDITORS COMMENTS
- A Sardonic Glimpse into the Industrial Heart of Stoke-on-Trent, Staffordshire (1930) This evocative photograph captures the dark and brooding skyline of Stoke-on-Trent, also known as the Potteries, during the early 20th century. The image, taken in the year 1930, offers a stark contrast to the idyllic notion of "fresh air." Instead, the scene is dominated by the heavy, looming presence of the dark satanic mills, kilns, and chimneys that characterized this industrial powerhouse of the North of England. The Potteries, a region renowned for its ceramics industry, underwent a rapid transformation during the Industrial Revolution. The area became synonymous with the relentless production of earthenware, stoneware, and later, bone china. This transition brought about a surge in the construction of factories, kilns, and mills, which belched thick plumes of smoke into the air, blanketing the landscape in a perpetual pall. The photograph presents a scene of unyielding industry, with the towering structures of the mills and kilns reaching towards the heavens like dark sentinels. The chimneys, billowing with smoke, serve as constant reminders of the relentless process that drove the region's economy. The Potteries, once known for its picturesque landscapes and rural charm, had been forever changed by the march of progress. Despite the ominous appearance of the scene, there is a certain allure to the photograph. It offers a glimpse into a bygone era, a testament to the indomitable spirit of the people who lived and worked in this industrial heartland. The photograph serves as a poignant reminder of the sacrifices made in the name of progress, and the enduring legacy of the Potteries' industrial heritage.
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