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Antique Framed Print : Black and white minstrels
Framed Photos from Mary Evans Picture Library
Black and white minstrels
A fashion shoot featuring the Black & White Minstrels in Tatler, 1962. The outfit worn by the model in the middle is a white silk, two-piece, the skirt cut both ways with inverted panels of navy silk studded with white by Nettie Vogues at Selfridges. Date: 1962
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Media ID 7185313
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10527974
1962 Minstrel Minstrels Outfit Stereotype Stereotyping Nettie Racial
18"x16" (46x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 12x10 archival quality photo print. Overall outside dimensions 18x16 inches (46x41cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 26.5cm x 29.4cm (10.4" x 11.6")
Estimated Product Size is 41.4cm x 46.4cm (16.3" x 18.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this striking photograph from Tatler magazine's 1962 issue, a group of models, collectively known as the Black and White Minstrels, pose for a fashion shoot. Dressed in an eclectic mix of costumes that draw upon racial stereotypes, the models don various outfits inspired by minstrelsy, a theatrical tradition that originated in the United States during the 19th century. The photograph, a fascinating snapshot of the sixties fashion scene, showcases the intricate details of the costumes and the models' expressive poses. At the heart of the image is a model wearing a chic two-piece outfit. The top half of her ensemble consists of a white silk blouse, adorned with navy blue inverted panels studded with white, while the bottom half is a white silk skirt, cut both ways to reveal a navy blue underskirt. This exquisite ensemble was designed by Nettie Vogues, a renowned fashion designer of the time, from Selfridges. Despite the undeniable allure of the fashion on display, the photograph raises uncomfortable questions about the racial undertones of the shoot. The use of blackface makeup and the adoption of stereotypical minstrel costumes, such as oversized shoes and curly wigs, are deeply rooted in a history of racial discrimination and dehumanization. This photograph, while a testament to the fashion trends of the 1960s, serves as a reminder of the complex and often problematic relationship between race, fashion, and representation. In conclusion, this photograph of the Black and White Minstrels in Tatler magazine's 1962 issue offers a fascinating glimpse into the fashion world of the 1960s. The intricate details of the costumes, particularly the white silk two-piece worn by the model in the middle, are a testament to the creativity and innovation of the time. However, the racial undertones of the shoot cannot be ignored, and the photograph serves as a reminder of the complex and often problematic relationship between race, fashion, and representation.
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