Antique Framed Print : Amoy Harbour (Xiamen) China 1870s (John Thomson)
Framed Photos from Mary Evans Picture Library
Amoy Harbour (Xiamen) China 1870s (John Thomson)
Amoy Harbour (Xiamen) China 1870s (John Thomson). Date: 1870s
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14350268
© Mary Evans Picture Library/Pump Park Photography
21"x16" (54x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 37.1cm x 22.8cm (14.6" x 9")
Estimated Product Size is 54cm x 41.4cm (21.3" x 16.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
Amoy Harbour, Xiamen, China (1870s) - A Captivating Glance into the Past This evocative photograph, taken by the renowned Scottish photographer John Thomson during the late 1870s, offers a captivating glimpse into the past of Amoy Harbour, now known as Xiamen, in China. The image beautifully captures the tranquil and bustling scene of the harbor, with its traditional Chinese junks and Western-style steamships anchored side by side. The photograph is believed to have been taken during the late 1870s, a period of significant change in Xiamen. The city, then known as Amoy, was a major trading port and a melting pot of cultures, with a thriving Chinese community and a growing presence of Western traders and missionaries. Thomson's photograph masterfully conveys the unique blend of Chinese and Western influences that characterized the city during this time. The photograph shows the harbor's bustling activity, with fishermen unloading their catch from their boats, and merchants and sailors haggling over goods. In the background, the distinctive red-tiled roofs of traditional Chinese houses can be seen, while Western-style buildings, including a church and a European-style mansion, are also visible. The photograph also reveals the natural beauty of the area, with the clear blue waters of the harbor reflecting the clear blue sky and the lush green hills in the distance. John Thomson's photograph of Amoy Harbour is a testament to the rich history and cultural diversity of Xiamen. It invites us to imagine the sights, sounds, and smells of this vibrant and bustling port city, and to appreciate the unique blend of Chinese and Western influences that have shaped its character over the centuries.
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