Antique Framed Print : Tamar Turned Out Amnon House 1540 Engraving second state
Framed Photos from Liszt Collection
Tamar Turned Out Amnon House 1540 Engraving second state
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14081934
© Copyrighted
1502–1555 1561 1540 4 5 8 76 Cm Amnon Approached Based Crying Doorway Heinrich Aldegrever New Hollstein Paderborn Ca Plate 3 Second State Servant Seven Plates Soest Stands Story Tamar 2 Samuel
21"x16" (54x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.3cm x 37.1cm (9.6" x 14.6")
Estimated Product Size is 41.4cm x 54cm (16.3" x 21.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print from the Liszt Collection showcases Heinrich Aldegrever's "Tamar Turned Out Amnon House" engraving, depicting a powerful scene based on the biblical story found in 2 Samuel 13:17. The second state of this artwork, created around 1540, is beautifully preserved and presented here. In the image, we see Tamar standing outside a grand house with tears streaming down her face. She has just been forcefully expelled by her half-brother Amnon after he violated her. As Tamar cries on the left side of the composition, a servant stands at the doorway witnessing this heart-wrenching moment. The artist skillfully captures both the emotional turmoil and architectural details in this piece. The intricate lines and shading bring depth to every element of the engraving. With dimensions measuring approximately 4 5/8 x 118 x 76 cm, this print demands attention and invites contemplation. Heinrich Aldegrever was a German artist born in Paderborn around 1502-1555/1561 who later settled in Soest. This particular work is part of his series consisting of seven plates that narrate Tamar's tragic story. As an important addition to any art collection or historical display, this print serves as a poignant reminder of timeless themes such as betrayal, resilience, and justice depicted through masterful craftsmanship.
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