Antique Framed Print > Arts > Artists > S > Ryuryukyo Shinsai
Antique Framed Print : Sake bottles carpentry tools life sake bottles
Framed Photos from Liszt Collection
Sake bottles carpentry tools life sake bottles
Sake bottles and carpentry tools, A still life of sake bottles and carpenter tools, among others from black lacquer. These ritual objects were probably used in a ceremony prior to construction work. The originator of this print lived in Mokuzaichogashi (Houtstraat). With one poem. Ryuryukyo Shinsai (mentioned on object), Japan, c. 1800 - c. 1805, paper, colour woodcut, h 136 mm × w 184 mm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19544167
© Artokoloro
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 17.5cm (9.6" x 6.9")
Estimated Product Size is 36.3cm x 31.2cm (14.3" x 12.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print from the Liszt Collection showcases a mesmerizing still life composition of sake bottles and carpentry tools. The objects, crafted with meticulous detail, are made from black lacquer, exuding an air of elegance and craftsmanship. These items were likely employed in a ceremonial context before construction work commenced, hinting at the rich cultural traditions surrounding construction practices in Japan. The print's originator resided in Mokuzaichogashi (Houtstraat), adding an intriguing geographical element to its story. The artist responsible for this exquisite woodcut is Ryuryukyo Shinsai, whose name is mentioned on the object itself. Created between 1800 and 1805, this piece represents a snapshot of Japanese art during that period. The delicate colors and intricate lines captured on paper transport viewers to a bygone era where beauty was found even in everyday objects. This print serves as a testament to the skillful execution of traditional Japanese art forms. As we gaze upon this image, we are invited to contemplate the harmonious coexistence of nature and human creation. It reminds us that even simple tools can possess their own unique beauty when viewed through an artistic lens. In summary, this print offers us a glimpse into both the material culture and spiritual rituals associated with construction work in historical Japan. Its serene presence invites us to appreciate the intersection between functionality and aesthetics within our own lives.
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