Antique Framed Print : Portrait of a Man, circle of Jacopo Tintoretto, 1550 - 1575
Framed Photos from Liszt Collection
Portrait of a Man, circle of Jacopo Tintoretto, 1550 - 1575
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12756971
© Quint & Lox Limited
1550 1575 Circle Jacopo Tintoretto Artistic Work Gallery Art Museum Art
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 19.9cm x 24.4cm (7.8" x 9.6")
Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This portrait, believed to be from the circle of Jacopo Tintoretto, transports us back to the vibrant artistic scene of 16th-century Italy. The enigmatic subject gazes directly at the viewer with an intensity that is both intriguing and slightly unsettling. His piercing eyes seem to hold a wealth of untold stories, inviting us to delve into his inner world. The masterful brushwork and attention to detail in this artwork are indicative of Tintoretto's distinctive style. Every stroke captures the texture of the man's clothing and meticulously renders each strand of hair on his beard. The play between light and shadow adds depth and dimensionality, enhancing our perception of this mysterious figure. As we contemplate this masterpiece, we can't help but wonder about the identity and significance of this man. Was he a nobleman? An artist himself? Or perhaps a patron who supported Tintoretto's work? Regardless, his presence commands our attention as he emerges from the canvas with an air of authority. Displayed in a museum or gallery setting, this print becomes more than just an artwork; it becomes a window into history. It allows us to connect with an era long gone while appreciating the timeless beauty that art has always offered humanity.
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