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Antique Framed Print : "The Parish Beadle" - painted by Sir David Wilkie, R.A. - from the National Gallery, 1856. Creator: Unknown. "The Parish Beadle" - painted by Sir David Wilkie, R.A. - from the National Gallery, 1856. Creator: Unknown

'The Parish Beadle' - painted by Sir David Wilkie, R.A. - from the National Gallery, 1856. Creator: Unknown. 'The Parish Beadle' - painted by Sir David Wilkie, R.A. - from the National Gallery, 1856. Creator: Unknown



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"The Parish Beadle" - painted by Sir David Wilkie, R.A. - from the National Gallery, 1856. Creator: Unknown. "The Parish Beadle" - painted by Sir David Wilkie, R.A. - from the National Gallery, 1856. Creator: Unknown

"The Parish Beadle" - painted by Sir David Wilkie, R.A. - from the National Gallery, 1856. Engraving of a painting. The price paid to the painter was three hundred and fifty guineas...Wilkie, it is well known, was unwilling to use his pencil on a Sunday - obeying the last injunction of Dr. Johnson to Sir Joshua Reynolds. On a part of this picture, however, he did work on a Sunday, and that portion was the monkey. His excuse was characteristic, and even jocular. He borrowed the monkey (it is a very fine one) from the museum at Exeter Change. "You see, " he observed, "this gentleman is a public character, and can only be spared from his public duties on a Sunday". Note muzzled bear and woman with hurdy-gurdy. From "Illustrated London News", 1856

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Media ID 36320466

© /Heritage Images

Animal Cruelty Beadle Bear Captive Captivity Cricket Cricket Bat Cricketers Cruel Cruelty Cruelty To Animals David Wilkie Hand Gestures Hurdy Gurdy Mammal Monkey Monkies Musicians Muzzle Penitentiary Performers Pets Pictures Primate Prison Remonstrating Sir David Wilkie Sportsman Sportsmen Stringed Instrument Tambourine Wilkie David Sir Wilkie Sir David Lock Up Muzzled


21"x16" (54x41cm) Antique Frame

Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 37.1cm x 24.2cm (14.6" x 9.5")

Estimated Product Size is 54cm x 41.4cm (21.3" x 16.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Animals > Mammals > Black Bear

> Animals > Mammals > Primates

> Animals > Related Images

> Arts > Artists > J > David Johnson

> Arts > Artists > J > Joshua Johnson

> Arts > Artists > R > Joshua Reynolds

> Arts > Artists > W > David Wilkie

> Arts > Contemporary art > Performance art > Painting

> Arts > Contemporary art > Performance art > Street art

> Arts > Music


The Parish Beadle

EDITORS COMMENTS
is a captivating painting by Sir David Wilkie, R.A., created in 1856 and currently housed at the National Gallery. The intriguing scene depicts a beadle, a local official responsible for collecting church dues, interacting with a crowd of people in a lively and bustling marketplace. Wilkie's masterful use of light and color brings the bustling atmosphere to life, as the beadle attempts to collect tithes amidst the distractions of the market. The painting's intriguing backstory is almost as fascinating as the artwork itself. Wilkie reportedly paid three hundred and fifty guineas for the commission, but he was reluctant to work on Sundays, following the advice of Dr. Johnson to Sir Joshua Reynolds. However, he made an exception for a part of this painting, specifically the monkey, which he borrowed from the museum at Exeter 'Change. Wilkie quipped that the monkey, as a public character, could only be spared from its public duties on a Sunday. The painting's rich detail is evident in this engraving, which includes a muzzled bear and a woman playing a hurdy-gurdy. The diverse crowd of people, their expressions and actions, and the bustling market scene all contribute to the painting's lively and engaging atmosphere. "The Parish Beadle" is a testament to Wilkie's skill as a painter and his ability to capture the essence of everyday life in 19th-century Scotland.

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