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Antique Framed Print : Madonna and Child, c1918. Artist: Jeanne Labrousse

Madonna and Child, c1918. Artist: Jeanne Labrousse



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Madonna and Child, c1918. Artist: Jeanne Labrousse

Madonna and Child, c1918. From The Studio Volume 73. [London Offices of the Studio, London, 1918]

Heritage Images features heritage image collections

Media ID 14966734

© The Print Collector

Arched Cloak Gesso Gilded Gilt Halo Jeanne Labrousse Our Saviour Studio Publications Studio Volume 73 Barefoot Gold Colour Putti


21"x16" (54x41cm) Antique Frame

Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24cm x 37.1cm (9.4" x 14.6")

Estimated Product Size is 41.4cm x 54cm (16.3" x 21.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This stunning print captures the timeless beauty of Jeanne Labrousse's "Madonna and Child" masterpiece, created in 1918. The image showcases a close-up view of the Madonna, depicted in vibrant blue attire that symbolizes her purity and devotion. With a gentle expression on her face, she cradles the child Jesus in her arms, radiating maternal love and tenderness. Labrousse's attention to detail is evident in every aspect of this artwork. The golden accents adorning both figures add an ethereal touch, highlighting their divine nature. A halo above the Madonna's head signifies her sacred status as the Virgin Mary while cherubic angels surround them, creating an atmosphere of heavenly bliss. The composition is framed within an arched backdrop that adds depth and grandeur to the scene. Both figures are barefoot, emphasizing their humility and closeness to nature. The richly textured cloak worn by the Madonna further enhances her regal presence. Published in Studio Volume 73 by London Offices of The Studio in 1918, this print exemplifies Labrousse's mastery as an artist during the early 20th century. Its gilded aesthetic reflects a time when religious art held great significance within Christian communities. As we gaze upon this portrait today, we are reminded of Labrousse's ability to capture not only physical likeness but also spiritual essence through color and form. This remarkable piece continues to inspire awe and reverence for its depiction of motherly love intertwined with divinity

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