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Antique Framed Print : Beauties of England and Wales - "The Squire's Daughter", Staffordshire - by J. Absolon - exhibited i Creator: Unknown. Beauties of England and Wales - "The Squire's Daughter", Staffordshire - by J. Absolon - exhibited i Creator: Unknown

Beauties of England and Wales - 'The Squire's Daughter', Staffordshire - by J. Absolon - exhibited i Creator: Unknown. Beauties of England and Wales - 'The Squire's Daughter', Staffordshire - by J. Absolon - exhibited i Creator: Unknown



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Beauties of England and Wales - "The Squire's Daughter", Staffordshire - by J. Absolon - exhibited i Creator: Unknown. Beauties of England and Wales - "The Squire's Daughter", Staffordshire - by J. Absolon - exhibited i Creator: Unknown

Beauties of England and Wales - "The Squire's Daughter", Staffordshire - by J. Absolon - exhibited in the New Water Colour Gallery, 1856. Engraving of a painting. From "Illustrated London News", 1856

Heritage Images features heritage image collections

Media ID 36321320

© /Heritage Images

Basket Demure John Absolon Kitsch Stepping Stone Stepping Stones Straw Hat


14"x12" (36x31cm) Antique Frame

Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 16.7cm x 24.4cm (6.6" x 9.6")

Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > John Absolon

> Arts > Artists > W > John White

> Arts > Artists > Y > Art Young

> Arts > Artists > Y > John Young

> Arts > Landscape paintings > Rural countryside paintings > Countryside beauty

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Bridges > London Bridge

> Europe > United Kingdom > England > London > Fashion

> Europe > United Kingdom > England > London > Sights > New River


The Squire's Daughter

EDITORS COMMENTS
is a captivating image from the "Beauties of England and Wales" series, created by John Absolon and exhibited in the New Water Colour Gallery in 1856. The engraving, published in the Illustrated London News, showcases a young woman in traditional rural attire, standing by a bridge in the picturesque county of Staffordshire, England. The young woman, dressed in a full-length, demure dress with a high collar and a straw hat adorned with a ribbon, exudes an air of rustic charm. She is depicted carrying a basket on her arm, adding to the idyllic scene of rural life. The bridge, with its arches and stepping stones, adds to the geographical features of the countryside, further emphasizing the beauty and tranquility of the English countryside. The image is a prime example of the regionalism and romanticism that was popular during the 19th century. The use of black and white in the engraving adds to the timeless quality of the print, making it a beloved piece of kitsch and a reminder of the past. The image is a testament to the beauty of the English and Welsh countryside, and the simple pleasures of rural life. The unknown creator of this beautiful work of art has left an indelible mark on the annals of English art history, and continues to inspire awe and admiration to this day.

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