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Antique Framed Print : A Rakes Progress IV: The Rake Arrested, Going to Court, 1733 (oil on canvas)

A Rakes Progress IV: The Rake Arrested, Going to Court, 1733 (oil on canvas)



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A Rakes Progress IV: The Rake Arrested, Going to Court, 1733 (oil on canvas)

SJS2002 A Rakes Progress IV: The Rake Arrested, Going to Court, 1733 (oil on canvas) by Hogarth, William (1697-1764); 62.2x75 cm; Courtesy of the Trustees of Sir John Soanes Museum, London; (add.info.: A Rakes Progress, series of 8 charting the decline and fall of Tom Rakewell the spendthrift son of a rich miserly merchant
Tom is arrested for debt on his way to the court of St James for Queen Carolines birthday on St Davids day;, honest Sarah Young, who he abandonned, now a seamstress, offers a purse of her hard-earned money to save him.); eSir John Soanes Museum; English, out of copyright

Media ID 22681006

© Sir John Soane's Museum / Bridgeman Images

Arrest Aspirational Avarice Bailiff Beggar Beggars Cautionary Tale Danger Debt Debtor Dice Downfall Fortune Fourth Gambling Greed Heir High Society Intervention Lamp Lamplighter Leek Mayfair Moral Moral Tale Morality Morality Tale Parody Playing Cards Profligate Prosperity Rake Seamstress Sedan Chair Social Climber Social Satire St Jamess Palace Stealing Tom Rakewell Vulnerability Vulnerable Welsh St Davids Day


14"x12" (36x31cm) Antique Frame

Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 20.5cm (9.6" x 8.1")

Estimated Product Size is 36.3cm x 31.2cm (14.3" x 12.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > William Day

> Arts > Artists > H > William Hogarth

> Arts > Artists > J > David James

> Arts > Artists > J > William James

> Arts > Artists > William Hogarth

> Arts > Artists > Y > Art Young

> Arts > Artists > Y > John Young

> Arts > Fine Art

> Arts > Pop art > Satire > Satirical artwork

> Arts > Portraits > Pop art gallery > Street art portraits

> Fine Art Finder > Artists > William Hogarth

> Fine Art Finder > Legal,banking & Political Scenes


A Rake's Progress IV - The Rake Arrested, Going to Court

EDITORS COMMENTS
is a captivating oil on canvas painting by William Hogarth. This artwork, part of the iconic series "A Rake's Progress" depicts the downfall of Tom Rakewell, a prodigal son who squanders his fortune in extravagant living. In this particular scene, we witness Tom being arrested for debt while en route to St James' Court for Queen Caroline's birthday celebration. As he faces the consequences of his reckless lifestyle, an honest seamstress named Sarah Young, whom he had abandoned, offers her hard-earned money in an attempt to save him. The painting showcases a bustling street scene filled with various characters and symbolic elements. A dog and a lamplighter add depth to the composition while highlighting themes of vulnerability and danger. Poverty-stricken beggars and children further emphasize the stark contrast between high society prosperity and destitution. Hogarth masterfully employs satire and caricature throughout this moral tale set in Georgian London. Through his detailed brushwork and clever storytelling techniques, he critiques greed, social climbing aspirations, and profligate behavior prevalent during that era. This print from Sir John Soane's Museum serves as a cautionary reminder about the perils of excesses and serves as both entertainment and societal commentary even today.

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