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Antique Framed Print : The Court of Equity or Convivial City Meeting, 1779 (mezzotint)
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The Court of Equity or Convivial City Meeting, 1779 (mezzotint)
XJF285129 The Court of Equity or Convivial City Meeting, 1779 (mezzotint) by Dighton, Robert (1752-1814); Private Collection; English, out of copyright
Media ID 12789690
© www.bridgemanart.com
Debate Debating Discussion Drunken Drunkeness English Politics Meeting House
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 18.2cm (9.6" x 7.2")
Estimated Product Size is 36.3cm x 31.2cm (14.3" x 12.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Court of Equity or Convivial City Meeting, 1779 - A Satirical Glimpse into Georgian English Politics
EDITORS COMMENTS
. In this mezzotint print by Robert Dighton, we are transported back to the vibrant and satirical world of 18th-century England. The scene unfolds within a grand interior, where an assembly of distinguished gentlemen has gathered for what appears to be a convivial city meeting. Amidst billowing clouds of smoke from their pipes, these men engage in lively discussions and debates on matters that shaped the political landscape of the time. Their powdered wigs and elegant attire reflect the refined society they belong to, yet their expressions reveal a certain level of drunken revelry. Dighton's masterful satire shines through as he captures both the serious nature of political discourse and its more indulgent side. The atmosphere is one of camaraderie mixed with mirthful intoxication—a true reflection of Georgian society's penchant for combining serious matters with pleasure. As we delve deeper into this artwork, it becomes evident that beneath all the pomp and circumstance lies a critique on English politics itself. Dighton cleverly exposes the flaws and excesses prevalent within this elite circle while shedding light on themes such as power dynamics, influence peddling, and even occasional debauchery. "The Court of Equity or Convivial City Meeting" serves as an insightful window into a bygone era—an era where politics was not just about policy but also about social connections forged over drinks in smoke
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