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Antique Framed Print : John Gubbins Newton and his Sister Mary, 1832-33 (oil on canvas)
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John Gubbins Newton and his Sister Mary, 1832-33 (oil on canvas)
XYC159899 John Gubbins Newton and his Sister Mary, 1832-33 (oil on canvas) by Burnard, Robert (c.1800-47); 235x143.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: previously attributed to John Zephaniah Bell and Jacques Laurent Agasse; ); British, out of copyright
Media ID 12733669
© www.bridgemanart.com
21"x16" (54x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 23cm x 37.1cm (9.1" x 14.6")
Estimated Product Size is 41.4cm x 54cm (16.3" x 21.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
John Gubbins Newton and his Sister Mary, captured in a timeless moment of sibling bond. This exquisite oil on canvas painting by Robert Burnard depicts the young boy and girl with their beloved horse and loyal beagle companion. The grand scale of the artwork, measuring 235x143.5 cm, commands attention as it hangs proudly at the Yale Center for British Art. Dressed in elegant riding gear, John exudes confidence as he sits atop the majestic horse, while Mary stands gracefully beside him. Their expressions radiate joy and innocence, capturing a snapshot of carefree childhood adventures. The artist's mastery is evident in every brushstroke; from the intricate details of their clothing to the lifelike portrayal of their faithful beagle. The composition effortlessly combines elements of portraiture with an idyllic countryside backdrop. Previously attributed to renowned artists John Zephaniah Bell and Jacques Laurent Agasse, this masterpiece now rightfully belongs to Burnard's oeuvre. It serves as a testament to his skillful craftsmanship and ability to capture not just physical likeness but also emotional depth. This image transcends time, inviting viewers into a world where family connections are cherished and nature holds endless possibilities for exploration. A true treasure within the Paul Mellon Collection at Yale Center for British Art.
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