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Antique Framed Print : Self Portrait, 1910 (oil on canvas)
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Self Portrait, 1910 (oil on canvas)
XKH144746 Self Portrait, 1910 (oil on canvas) by Liebermann, Max (1847-1935); 112x92.5 cm; Fondation Beyeler, Riehen, Switzerland; German, out of copyright
Media ID 22783116
© Bridgeman Images
Bald Easel Pastel Neue Sachlichkeit
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20cm x 24.4cm (7.9" x 9.6")
Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This self-portrait by Max Liebermann, created in 1910, offers a glimpse into the artist's inner world. The oil on canvas print showcases Liebermann's mastery of technique and his ability to capture emotion through brushstrokes. In this intimate portrayal, the German painter presents himself with an air of confidence and contemplation. His bald head and distinguished mustache are highlighted against a muted background, drawing attention to his piercing gaze. Holding a smoking pipe delicately between his fingers, Liebermann exudes an aura of sophistication and intellect. The composition reveals the artist at work in his studio, standing proudly next to an easel adorned with another painting. This inclusion adds depth to the image as it invites viewers into Liebermann's creative process. With its pastel color palette and meticulous attention to detail, this self-portrait exemplifies Neue Sachlichkeit (New Objectivity), a movement that emerged during the early 20th century in Germany. Through this style, artists sought to depict reality objectively while exploring themes of modernity and introspection. As we admire this remarkable piece from Bridgeman Images' collection, we are transported back in time to witness Liebermann's artistic prowess firsthand. It serves as a testament not only to his talent but also as a window into the soul of one of Germany's most celebrated painters.
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