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Antique Framed Print : African Hospitality, engraved by John Raphael Smith, 1791 (mezzotint)
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African Hospitality, engraved by John Raphael Smith, 1791 (mezzotint)
XYC283889 African Hospitality, engraved by John Raphael Smith, 1791 (mezzotint) by Morland, George (1763-1804) (after); 46.4x64.8 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12789201
© www.bridgemanart.com
Abolitionist Irony Kindness Rescue Saving Shipwrecked Storm Natives Saviours
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 17.4cm (9.6" x 6.9")
Estimated Product Size is 36.3cm x 31.2cm (14.3" x 12.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
In this mezzotint print titled "African Hospitality" we are transported to a moment of profound humanity amidst the chaos of a stormy sea. Created by John Raphael Smith in 1791, this artwork beautifully captures the essence of rescue and kindness. The scene depicts a shipwrecked family, their faces etched with fear and desperation, being saved by black heroes who have emerged from an island. The irony lies in the fact that these saviors are natives themselves, challenging stereotypes and highlighting the inherent goodness within all people. This image holds significant historical value as it subtly addresses themes of abolitionism during a time when slavery was prevalent. It serves as a powerful reminder that heroism knows no boundaries or skin color. Measuring 46.4x64.8 cm, this print is part of Yale Center for British Art's prestigious Paul Mellon Collection in the USA. Its presence within this esteemed collection further solidifies its importance within art history. Through George Morland's masterful engraving technique, every detail comes alive - from the crashing waves to the expressions on each character's face - evoking emotions of hope and gratitude. "African Hospitality" is not just an exquisite piece of art; it is also a testament to our shared humanity and our capacity for compassion even in times of adversity.
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