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Antique Framed Print : The Countess of Castiglione as the Queen of Hearts, after a photograph by Pierre-Louis Pierson (1822-1913) 1861-63 (salted paper print overpainted with gouache)

The Countess of Castiglione as the Queen of Hearts, after a photograph by Pierre-Louis Pierson (1822-1913) 1861-63 (salted paper print overpainted with gouache)



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The Countess of Castiglione as the Queen of Hearts, after a photograph by Pierre-Louis Pierson (1822-1913) 1861-63 (salted paper print overpainted with gouache)

1701454 The Countess of Castiglione as the Queen of Hearts, after a photograph by Pierre-Louis Pierson (1822-1913) 1861-63 (salted paper print overpainted with gouache) by Schad, Aquilin (1817-66); Bibliotheque Nationale, Paris, France; (add.info.: Italian Virginia Oldoini (1837-1899) Countess of Castiglione, mistress of French emperor Napoleon III, here dressed up as the " Queen of Hearts" for a ball in Tuileries palace, 1857.); Austrian, out of copyright

Media ID 24769204

© Bridgeman Images

Ballgown Masked Ball Painted Personification Photographic Veil Fancy Dress


14"x12" (36x31cm) Antique Frame

Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 18.9cm x 24.4cm (7.4" x 9.6")

Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > Austria > Paintings

> Europe > Austria > Palaces

> Europe > Austria > Posters

> Europe > Austria > Related Images

> Europe > France > Paintings

> Europe > France > Paris > Related Images

> Europe > France > Royalty

> Fine Art Finder > Artists > Francois (after) Clouet

> Fine Art Finder > Women 19th And Early 20th Century


EDITORS COMMENTS
This print showcases the Countess of Castiglione as the Queen of Hearts, beautifully captured by Pierre-Louis Pierson in 1861-63. The image, a salted paper print overpainted with gouache, exudes elegance and mystery. The Countess of Castiglione, Virginia Oldoini, was renowned for her beauty and charm. As the mistress of French emperor Napoleon III, she held a prominent position in society. In this photograph, she is dressed in an exquisite ballgown fit for royalty. With delicate flowers adorning her gown and a veil covering part of her face, she embodies both grace and allure. This portrait captures more than just physical beauty; it represents love and fancy dress through its personification of the Queen of Hearts. The masked ball setting adds an air of intrigue to the scene as well. Aristocracy is evident not only in the subject's attire but also in her regal presence. The painting-like quality achieved through photography techniques further enhances this sense of aristocraty. Preserved by Bibliotheque Nationale in Paris, France, this artwork offers us a glimpse into a bygone era where opulence reigned supreme. It serves as a testament to both artistic skill and historical significance. As we admire this mesmerizing portrayal of one woman's transformation into royalty for an extravagant event at Tuileries palace in 1857, we are reminded that art has the power to transport us to different times and places

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