Antique Framed Print > Fine Art Finder > Artists > Francis Calcraft Turner
Antique Framed Print : Bachelors Hall, The Meet, 1835 (oil on canvas)
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Bachelors Hall, The Meet, 1835 (oil on canvas)
XYC159645 Bachelors Hall, The Meet, 1835 (oil on canvas) by Turner, Francis Calcraft (1782-1846); 35.6x48.3 cm; Yale Center for British Art, Paul Mellon Collection, USA; British, out of copyright
Media ID 12733483
© www.bridgemanart.com
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 17.7cm (9.6" x 7")
Estimated Product Size is 36.3cm x 31.2cm (14.3" x 12.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print captures the essence of Bachelors Hall, The Meet in 1835, as depicted by Francis Calcraft Turner. With meticulous brushstrokes on canvas, Turner transports us to a bygone era where horseback riding and countryside pursuits reigned supreme. In this scene, we are immersed in the heart of a hunt meeting. A group of riders donning elegant top hats and traditional hunting attire gather together with their magnificent horses. Their anticipation is palpable as they prepare for an exhilarating ride through the rural landscape. The artist's attention to detail is remarkable; every stroke brings life to the horses' muscular bodies and conveys their strength and grace. Amidst this equestrian symphony, one rider stands out - a lady confidently seated side saddle on her noble steed, defying societal norms with her daring spirit. Bachelors Hall becomes more than just a physical location; it represents camaraderie among kindred spirits who share a passion for adventure and horsemanship. As we gaze upon this masterpiece, we can almost feel the crisp country air against our faces and hear the thundering hooves echoing through rolling hills. Displayed proudly at Yale Center for British Art's Paul Mellon Collection in the USA, this painting serves as a timeless reminder of our connection to nature and tradition. It invites us to appreciate not only its artistic brilliance but also the rich heritage that lies within each brushstroke – an ode to those who have come before us in pursuit of freedom on horse
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