Antique Framed Print > Fine Art Finder > Artists > Edward Coley Burne-Jones
Antique Framed Print : Summer, 1869-70 (gouache on paper)
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Summer, 1869-70 (gouache on paper)
BAL11006 Summer, 1869-70 (gouache on paper) by Burne-Jones, Edward Coley (1833-98); 122.5x45 cm; Private Collection; Roy Miles Fine Paintings; English, out of copyright
Media ID 12706809
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Purity Roses Pre Raphaelite Young Woman
21"x16" (54x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 13.4cm x 37.1cm (5.3" x 14.6")
Estimated Product Size is 41.4cm x 54cm (16.3" x 21.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print titled "Summer, 1869-70" by Edward Coley Burne-Jones transports viewers to a world of beauty and symbolism. The young woman depicted in the artwork embodies the essence of purity and grace, reminiscent of the Pre-Raphaelite movement that swept through England during this period. The artist's meticulous use of gouache on paper brings out every intricate detail, showcasing his exceptional talent. Measuring at an impressive 122.5x45 cm, this piece demands attention with its grandeur. Classical influences are evident throughout the composition, as seen in the allegorical elements carefully woven into the scene. The abundance of roses symbolizes love and passion while also representing Maria Zambaco, a prominent figure from Burne-Jones' life who served as both muse and model for many of his works. Mary, another possible reference within this artwork's title, adds an additional layer to its interpretation. Perhaps she represents purity or innocence amidst a backdrop filled with rich symbolism. Displayed here is just one example from Roy Miles Fine Paintings' private collection - a testament to their dedication in preserving remarkable pieces like these for future generations to appreciate.
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