Antique Framed Print > Fine Art Finder > Artists > Charles Cottet
Antique Framed Print : Au Pays de la Mer, 1898 (oil on canvas)
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Au Pays de la Mer, 1898 (oil on canvas)
XIR219617 Au Pays de la Mer, 1898 (oil on canvas) by Cottet, Charles (1863-1925); 176x475 cm; Musee d Orsay, Paris, France; (add.info.: left panel: Ceux quis en vont; central - le repas d adieu; right - celles qui restent; ); French, out of copyright
Media ID 12715551
© www.bridgemanimages.com
Adieu Breton Fishermen Fishing Boat Remaining Triptych Triptyque Waiting Wives
21"x16" (54x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 37.1cm x 13.1cm (14.6" x 5.2")
Estimated Product Size is 54cm x 41.4cm (21.3" x 16.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
Au Pays de la Mer, 1898
EDITORS COMMENTS
is a captivating triptych by Charles Cottet that takes us on an emotional journey to the coastal region of Brittany in France. This large-scale oil painting, measuring 176x475 cm, is housed at the Musee d'Orsay in Paris. The left panel titled "Ceux qui s'en vont" (Those Leaving) depicts fishermen and sailors preparing to embark on their perilous voyage. Their weathered faces reveal both determination and apprehension as they bid farewell to their loved ones. In the central panel, "Le Repas d'Adieu" (The Farewell Meal), we witness a poignant scene where families gather for one last meal before parting ways. The atmosphere is filled with mixed emotions - sorrowful yet hopeful - as wives and children share this bittersweet moment with their husbands and fathers. On the right panel, "Celles qui restent" (Those Who Remain), we see women patiently waiting for their men's return. The strength and resilience of these women are evident as they carry on with daily life while anxiously anticipating the safe homecoming of their loved ones. Through his masterful brushwork, Cottet captures not only the physicality but also the profound human connections within this fishing community. With its rich symbolism and evocative storytelling, "Au Pays de la Mer" transports viewers to a world where sacrifice, love, and hope intertwine amidst the vastness of the sea
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