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Antique Framed Print : The Crucifixion, illustration from Festkalender published in Leipzig c
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The Crucifixion, illustration from Festkalender published in Leipzig c
AFC215873 The Crucifixion, illustration from Festkalender published in Leipzig c.1910 (colour litho) by Thoma, Hans (1839-1924); Private Collection; German, out of copyright
Media ID 23816650
© Bridgeman Images
Calvary Corpse Crucified John The Baptist Kneel Magdalene
21"x16" (54x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 18.9cm x 37.1cm (7.4" x 14.6")
Estimated Product Size is 41.4cm x 54cm (16.3" x 21.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of Hans Thoma's "The Crucifixion" an illustration from Festkalender published in Leipzig around 1910. The image, a stunning colour lithograph, showcases the profound moment of Jesus Christ's crucifixion with remarkable detail and emotion. In this poignant scene, we witness a powerful tableau unfolding on Calvary. Kneeling before the cross are figures central to Christ's story: John the Baptist, Mary Magdalene, and the Virgin Mary herself. Their expressions convey deep sorrow and reverence as they mourn over the lifeless body of Jesus. Thoma's masterful composition invites us to reflect upon the ultimate sacrifice made by Jesus for humanity's salvation. The hauntingly realistic depiction of his nailed body serves as a stark reminder of his immense suffering. Amidst this somber atmosphere, one cannot help but be moved by the devotion portrayed in every element of this artwork. From Madonna’s tear-streaked face to John’s fervent prayer, each character embodies unwavering faith and love for their savior. As we gaze upon this extraordinary print from Fine Art Finder's collection, it is impossible not to be touched by its timeless beauty and spiritual significance. It serves as a testament to both Thoma's artistic talent and our enduring fascination with religious iconography throughout history.
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