Antique Framed Print > Historical artwork
Antique Framed Print : Baptism of Jesus, marble, Andrea Sansovino (1467-1529) and Innocenzo Spinazzi (1726-1798), the entablature of the east door of the Baptistery of S. Giovanni in Florence
Framed Photos from Fondazione Alinari per la Fotografia
Baptism of Jesus, marble, Andrea Sansovino (1467-1529) and Innocenzo Spinazzi (1726-1798), the entablature of the east door of the Baptistery of S. Giovanni in Florence
Baptism of Jesus, marble, Andrea Sansovino (1467-1529) and Innocenzo Spinazzi (1726-1798), the entablature of the east door of the Baptistery of S. Giovanni in Florence Florence Piazza del Duomo Sculptural Group Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1502-1569, 1792. Artist:Danti, Vincenzo, Spinazzi, Innocenzo, Sansovino, Andrea Contucci, known as
Alinari, Fratelli
ACA-F-001879-0000
Media ID 33107905
© Alinari Archives, Florence
Baptism Crosslate Renaissance Jesus Christ Christ Child John The Baptist Life Of Christ Primary Elements Water Christian Religion Natural Elements And Phenomena Subject
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 18.7cm (9.6" x 7.4")
Estimated Product Size is 36.3cm x 31.2cm (14.3" x 12.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This photograph captures the essence of the "Baptism of Jesus" sculpture, a masterpiece created by Andrea Sansovino and Innocenzo Spinazzi. The artwork is prominently displayed on the entablature of the east door at the Baptistery of S. Giovanni in Florence's Piazza del Duomo. Dating back to 1502-1569 and 1792, this stunning piece represents late Renaissance, Renaissance-Baroque styles and periods that have left an indelible mark on European art history. The photograph itself was taken around 1890 by Alinari, Fratelli. In this image, we witness a pivotal moment in Christian religious history as Jesus Christ is baptized by John the Baptist. The primary elements of water symbolize purification and rebirth while an angelic figure hovers above them, adding a touch of divine presence to this sacred event. The male figures depicted are nude, showcasing their vulnerability as they submit themselves to this holy sacrament. Surrounding them are other saints who bear witness to this significant act within Christianity. As we delve into the details captured in this print, it becomes evident that every element has been meticulously crafted with precision and skill characteristic of Renaissance artistry. From the intricate folds in their garments to each facial expression conveying deep emotion, these sculptures come alive through Vincenzo Danti's lens. This photograph serves as a testament not only to the artistic genius behind its creation but also reminds us of our connection with spirituality throughout different eras. It transports us back in time while simultaneously bridging gaps between various historical periods - from first-century biblical events to second-millennium interpretations. Through Alinari's lens, we can appreciate both the beauty inherent within religious symbolism and humanity's enduring quest for spiritual enlightenment across centuries.
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